Quite Contrary: 21 Derivations for Magdalene

Quite Contrary:

Twenty-One New Proposed Derivations for the Cognomen “Magdalene”

James David Audlin

 From The Gospel of John Restored and Translated, Volume I,

as published by Editores Volcán Barú.

Copyright © 2013,2014 by James David Audlin. All worldwide rights reserved.

Reprinted here by permission of the publisher, Editores Volcán Barú.

 http://audlinbooks.com/about-james-david-audlin/nonfiction-james-david-audlin/

 

 

The cognomen “Magdalene” only appears thrice in the gospel of John, once at the crucifixion (19:25) and twice at the resurrection (20:1,18). As discussed in the commentaries, both appear to be insertions by the redactor to bring this gospel more into line with the Synoptics. Therefore the cognomen is removed from the restored text in this work, and relegated to the appendix. Nevertheless, it is so commonly associated GOJ-front 2vol Iwith her still today that its origin and meaning must be considered. One of the following four explanations is usually offered, that the cognomen:

a: Says she came originally from Magdala, a village on the western shore of the Sea of Galilee.

b: Comes from the Hebrew לדגמ (migdal, “tower”, related to μαγδωλος in Greek, “watchtower”).

c: Comes from the related word in Aramaic, the language then commonly spoken by Jews and Samaritans, ܡܓܕܠܝܐ (magdala, “tower” but also suggesting “elegant” or “great”, likewise related to μαγδωλος). This could be simply a reference to a tower in Mary’s personal history, perhaps in Shechem or on Mount Gerizim, where as the “woman at the well” she served as a priestess; Even more likely, it refers to the Temple at Leontopolis, where Mary probably served earlier as a priestess; this Temple was built in the form of a tower. Or it could refer to Song of Songs 4:4, and other similar verses; this one compares the Shulammite’s neck to the Tower of David (cf. Nehemiah 3:25). Similarly, her breasts are likened to towers at 8:10. Her “dance of Mahanaim” (Song 6:13; see option e) is an indirect reference to a tower as well.

d: Comes from megaddelá, an Aramaic word for a woman with ܓܕܠܐ (g’dalw; “plaited or braided hair”), ܡܓܕܠܐ (mgdl’ being the word for “braid”) and later, by extension, a word for a hairdresser. The term carried, later in time, an aroma of “harlot” about it, and some passages in the Talmud appear to associate it with Temple priestesses.

Before evaluating the four above, I also propose:

e: Comes from Mahanaim (מַחֲנָ֫יִם in Hebrew), literally meaning “Two Camps”,a place so called by Jacob because he and God both camped there. The “h” would have shifted in the Greek transliteration into a “g” (since the “h” does not appear in Greek words except at the beginning) and a Greek-style suffix added. At this place Jacob erected a watchtower (Genesis 31:48-52; see b, c, and h). The “dance of Mahanaim” is mentioned at Song of Songs 6:13 in reference to the Shulammite (who is discussed in relation to the Magdalene below).

f: Comes from Song of Songs 4:15, the same verse discussed on page 338, where the Hebrew for the “spring of water” in the garden is מעין גנים (mayan gannim). This could have gotten garbled by Greek ears into “Magdalene” the same way pretty much all of the proper names in the New Testament mutated when shifting from Hebrew or Aramaic into Greek. Through this verse she would be associated with living waters, mentioned in the same verse of the Song, of which Jesus spoke to her in their first conversation (John 4:10); also, the waters of spiritual purification, as in the mikvah, and in John’s immersion.

g: Comes from ܩܕܠܐ (’qda:la), “neck” in Aramaic, should Mary have had a long, beautiful neck. This is a near-homonym withܡܓܕܠܝܐ (magdala, “tower”), lacking only the initial ܡܰ (ma-), and also with ܡܓܕܠܝܬܐ (magdalayta, Magdalene), lacking the ma– and the suffix –ta. But the final “m” (ܡ) in her Aramaic name, ܡܪܝܡ (Maryam), could very well have elided over onto ܩܕܠܐ (’qda:la), creating ܡܩܕܠܐ (Maqdala). This could possibly a reference to, or for the amanuensis reminiscent of, several references in the Song of Songs, especially at 4:4, to the Shulammite’s neck, though a different word for neck (ܝܟܪܘܨ; sawara) is used there.

h: Comes from the Tower of Eder (מִגְדַּל־עֵ֫דֶר, Migdal Eder, literally “the Tower of the Flock [of Sheep]”) beyond which Jacob (then renamed “Israel”) pitched his tent after the death of his wife Rachel (Genesis 35:21). Jesus and Mary are implicitly associated with Jacob and Rachel at Jacob’s Spring in chapter 4 of John. The only other Tanakh reference to this tower is at Micah 4:8, where it is mentioned in a messianic prophecy that the greatness of Judah and Jerusalem will return, a very meaningful reference should this be the cognomen of Jesus’s consort. Rachel died on the way to Ephrath (Bethlehem); Josephus writes that the tower site was about a Roman mile (4,860 feet) beyond Bethlehem. But in which direction Israel was going is unclear. The original Hebrew text has him going south, toward Hebron, but the Septuagint transposes Genesis 35:16 and 21, likely correcting a mistake, which would have him going north, toward Bethel; this would put the Tower very close to Bethany, which was Mary’s home town.

i: Comes from the Greek μαγδαλια, a late contraction of the classical word απομαγδαλια, which appears in Aristophanes and Plutarch as a term for the inside of a loaf of bread, used by Greeks as a kind of napkin for their hands, which they then threw to the dogs; hence, “dog’s meat”.

j: Comes from the Aramaic ܡܓܕܐܐܠܗܬܐ (maqd’ alaht’a; “precious to the Goddess” or “gift of/to the Goddess”), which is very close to the Aramaic original of the cognomen “Magdalene”, ܡܓܕܠܝܬܐ (magdalayta).

k: Comes originally from μάγος δαλος (a magic torch or lamp or thunderbolt), which would have been contracted to μάγαδαλος and then to μαγδαλος. Many oil lamps from the Samaritan Temple on Mount Gerizim and Samaritan synagogues in the region have been found. They were probably used ceremonially, perhaps tended by priestesses, and are customarily decorated with spiritual imagery. One common motif is a ladder; this was probably a representation of Jacob’s ladder, since the Samaritans believed and still believe that Bethel, where Jacob had his famous dream (Genesis 28:12-15) was on Mount Gerizim (A Companion to Samaritan Studies, by Alan David Crown, Reinhard Pummer, and Abraham Tal).

l: Comes from “Magdalu in Egypt”, as it is called in the letters of Šuta in the1340s B.C.E. On the northeastern frontier of Egypt, this ancient town was near the last encampment of the Israelites before they crossed the Red Sea during the Exodus. The name probably comes from גָּדַל (gadal), meaning “to increase in size or importance”. Jeremiah 44:1 says Migdol (as he and Ezekiel call it) and other nearby Egyptian communities had significant colonies of Diaspora Jews. There was a significant presence of Samaritans in Egypt as well, from the second century B.C.E. well into the Christian period, according to Reinhard Pummer (“The Samaritans in Egypt”); they largely lived harmoniously with their Jewish neighbors according to Aryeh Kasher (The Jews in Hellenistic and Roman Egypt), though according to Josephus there were quarrels in the same century over whether Jerusalem or Mount Gerizim was the true Temple site.Both Jews and Samaritans worshipped at a temple in Elephantine built as a replica of the one in Jerusalem, supported by the family of Sanballat with whom Jesus identified (see pages 605-06 and 727); James D. Purvis and Eric Meyers say the cultus at Elephantine was a mix of Yahwistic and Canaanite ways, and (as suggested by the Elephantine Papyrii) much influenced by Egyptian religion. Indeed, Jeremiah 44 describes the cultus at Migdol in detail, including worship of “the Queen of Heaven”, whom K. van der Toorn (Numen 39:1) says was similar to the Ugaritic goddess Anat and called Anath-Yahu. This temple was destroyed by theEgyptiansin410 B.C.E., but another was built by Onias (or Honiah) IV in the first century B.C.E. in Leontopolis, near Magdalu, north of Heliopolis. Leontopolis was already the center of veneration of Sekhmet, a lion-headed war goddess of Upper Egypt, the fierce aspect of the cat goddess Bast, representing the incendiary heat of Ra’s gaze when it punishes evildoers. According to Josephus (Ant. 13:3:2,14:8:2), Onias built the temple after Judah Maccabee denied him the high priesthood in Jerusalem. It was demolished by Rome in 73 C.E., shortly after the destruction of Jerusalem, to prevent it from harboring insurrectionists.Hanan Eshel (The Dead Sea Scrolls and the Hasmonean State) suggests Onias IV may have been the Teacher of Righteousness often referred to in the Qumran texts, and some classical Jewish literature (such as Yuhasin, Me’or ’Enayim, and Seder ha-Dorot) associates his temple with the Samaritan Temple on Mount Gerizim; indeed, Rabbi Ben Abrahamson says Samaria often ratified alliances with Egypt.All this points to the good possibility that Jesus and Mary had some connections with an anti-Rome, anti-Jerusalem Samaria/Leontopolis alliance perhaps affiliated with the Notzrim. In any case, the several passages in this gospel, especially the resurrection, suggest both Jesus and Mary were reasonably familiar with the Egyptian language and Jewish-Samaritan Egyptian spiritual community.

m: Comes from the Aramaic ܝܘܢܐܡܓܕܠܝ (magdal’ yawna; “dove tower”). Ancient columbaria, also called dovecotes in English, have been found throughout the Levant, and indeed the entire Mediterranean region; they were known in Greek as περιστερεῶνα (peristereōna). For Jews and Samaritans they would provide not only food and crop fertilizer, but Temple sacrifices, as required in the Torah. Sometimes they were made in caves, but, where caves were not available towers were constructed: at the famous Masada site, for instance, three towers served as columbaria. There had to be columbaria in Mary’s day atop Mount Gerizim to provide sacrificial birds as well as to feed the priests, priestesses, and staff. Mary may have had duties associated with the columbaria. It is known that an image of a dove had been the ostensible pretext for the Temple’s destruction in 110 B.C.E., and a similar image probably had been specially recreated before Mary’s day. This explanation would also amplify the theory outlined on pages 546-57 that the “dove” at Jesus’s immersion was Mary.

n: Comes from the Aramaic ܢܐܕܘܠܐܡܓܕܗ(magdh-dawla-na). The first two words mean “to draw-up-to-oneself a-bucket-of-water”, and the imperative/cohortative suffix ܢܐ (na) signifies that this request for a bucket of water is deeply yearning and implored for). Alternatively, it could be ܢܐܕܘܠܐܡܓܕ (mgd-dawla-na), to-bestow a-bucket-of-water, with the same suffix attached. Either would have contracted to ܕܘܠܐ ܢܐܡܓ (mag-dawla-na), and the accent would fall on –la, giving just about exactly the sound of μαγδαληνη (magdalēnē), her cognomen in the Greek text; it is not quite as close to ܡܰܓ݂ܕ݁ܠܳܝܬ݁ܳܐ (magdalata), her cognomen in the Aramaic text of the Peshitta, though that may only be a transliteration of the Greek. The origin of this cognomen would be the event at the Samaritan spring, wherein Mary, in a memorable statement recorded at John 4:11, suddenly refers not to the spring in front of them but to a well, saying the well is deep and Jesus, unfortunately, doesn’t have a bucket. As noted in the commentary to that verse, she is making an oblique reference to Moses’s first encounter with his wife Zipporah by a well (Exodus 2:16), and to the deep, dry well of her heart/vagina

o: Comes from the Aramaic ܡܓܕܠܝܐ (magd’lya). The verb can mean “to tie”, “to make round”, or “to roll around”. This word appears in 20:1 as ܕܡܓܕܠܝܐ (d’magd’lya), with a prefix meaning “which” and the meaning determined from context “was rolled”. This word lacks only the ܬ (“t”) to be identical to the Aramaic version of Mary’s cognomen, ܡܓܕܠܝܬܐ (Magd’layta). With the suffix ܢܐ(na) mentioned just above in m, the meaning could be that she implored/prayed for the stone to be rolled away (and it was); the addition of this suffix would make the name virtually identical to the sound of μαγδαληνη in Greek. It is curious that 20:1 is one of only three verses in the Textus Receptus (the text as it has come down to us, with all its changes deliberate and accidental) of the Gospel of John where Mary is called “Magdalene”, and that in the same verse there is this homonym. Could the cognomen have referred to Mary being the discoverer of the rolled-away tombstone? Could it mean that she became aware of, witness to a miracle, that Jesus not only was alive but lifted away this stone like Jacob himself (Genesis 29:10)? At any rate, this conjunction of homonyms makes ܡܓܕܠܝܐan intriguing possibility.See further discussion of these matters in the commentary to 20:1.

p: Comes from the Aramaic ܢܐܕܠܗܝܡܓܗܐ (magāh dlhy na), “this/that particular dawn”, with the same suffix mentioned in m, signifying her intense desire for the memorable dawn in which she encountered her risen husband.

q: Includes ܕܠܛ (dalet), the fourth letter in the Aramaic and Hebrew alphabets, which mystically signifies a door because the letter originated in the Egyptian hieroglyph for “door”, perhaps the door into the “father’s house” (14:2) which is reached by the “ladder” (“Jacob’s ladder”) that unites earth and heaven. Remember that Mary’s cognomen in the Peshitta ends with a -ta, not a -na.

r: Comes from the Aramaic ܕܠܝܛܐܡܓܕ (magd dālīṯā), “the choice fruit (magd) of the vine shoot (dālīṯā)”, Mary as the first and best fruit of the vine (15:5), chosen by Jesus as the first person to reveal himself to as Messiah, his spouse and co-chosen (I Peter 5:13; see page 564).

s: Comes from the Aramaic ܠܘܬܐܡܓܕܗ (mgdh lwta), the attractive power (mgdh) that makes someone a partner/companion, that joins one to another (lwta).

t: Comes from the Aramaic ܢܐ ܡܕܠܐ (madly na), “a draft of water deeply yearned/implored for”. The word ܡܕܠܐ appears in Exodus 2:19, where Moses is meeting and romancing his wife-to-be Zipporah. The suffix ܢܐ is explained in n above.

u: Comes from the Aramaic ܡܕܠܝܢ (madalyānā), “to bring/draw up/out, to extract as from a hole/well”. This derivation would point to Jesus’s request that Mary draw him water to drink in chapter 4 – the related word ܕ݁ܳܠܝܳܐ (dalya), “to draw (water)” appears in 4:15 – and to Jesus being drawn forth from the tomb by God, and then his drawing Mary forth from the same tomb by saying mary, in 20:16.

v: Comes from Hebrew מָ֫ (ma; “water”), גְּדֹלָה (gadol; “great”), and אָנָה (anah; “seeks or enables oneself to meet”). This might refer to the opening scene, when Mary draws Jesus forth from the Jordan River to which he came to be immersed by John the Immerser, and/or to Jesus as the source of living water (4:10,14).

w: Comes from Aramaic ܡܕܠܐ (madla; “draft of water”) and ܠܬܐ(leta; “fellowship”), which would refer to the meeting by the spring in chapter 4. This would go back to the Aramaic spelling of the name “Magdalene” as “Magd’layta”.

x: Comes from the Sanskrit महाध्यान (Maha-Dhyāna), literally meaning “Great Path”; the word Dhyāna in origin refers to the channel in which flows a stream or river, but in current usage in both Hinduism and Buddhism it refers to the practice of stilling the mind so it reflects the universe perfectly without judging or craving or fearing.(Though they are often confused ,this is not quite the same thing as the Western practice of meditation.) If this is the source of “Magdalene”, then it would have been given her by Jesus, through his contacts with Eastern religion discussed several times in this work. As it got transliterated into Aramaic and Greek, it would have been given an “l” to make it easier for Westerners to pronounce; thus it would sound like Magdalena, “Magdalene” in Greek.

y: Comes from the Aramaic ܡܓܗܐ ܕܝ ܠܘܬܐ (magāh d’ lwta), “that particular dawn of making someone a partner/companion / joining one to another”. The word for “dawn” in the Syriac texts of chapter 20 is a synonym, ܫܦܪܐ (šap̄rā). But Mary’s cognomen could still remember that particular dawn when she and Jesus were joined as one together.

This list is by no means exhaustive, and some entries are quite unlikely; it is merely meant to be suggestive. Certainly there are many possibilities for explaining this cognomen, more than I have listed, since there are more possible combinations of some of the words and particles given above that are not mentioned. If nothing else, I hope this list encourages scholars to reopen the question as to the derivation of “Magdalene”, and not just to assume, but to do some more homework.

Option a, the most frequent explanation of Mary’s cognomen, is straightforward, and should be adopted if it can be proven that Mary came from Magdala. But, alas, there is nothing connecting her to that village. Her family home is in Bethany, her father probably originally came from Ramathaim (Arimathæa) in Kohath (in northern Judæa just south of Samaria), and she herself had lived in Samaria proper. She wasn’t even a Galilean, let alone a resident of Magdala. Therefore option a is to be rejected.

The pronunciation of the Aramaic word magdala is closer to the text’s Greek version of Mary’s cognomen than the Hebrew migdal, and these were Aramaic speakers, so option b is rejected.

Option d is also rejected; the textual evidence is flimsy, and there is no reason to assume that the Talmudic writers were merely recalling in a subsequent generation how this word was used in the first century: these comments may have been no more than unfounded anti-Christian polemical aspersions, of which in subsequent generations there was quite a bit. They may even have been based on the persistent later Christian legend that described Mary Magdalene as a repentant prostitute.

Option i is rejected too, lacking a solid rationale for adoption.

Options e, f, and h, and probably c, g,and t as well, find their origin in the Tanakh. All of these except h and t could refer to the Song of Songs; e comes indirectly and h directly from the story of Jacob and Rachel in Genesis, and t from the story of Moses and Zipporah both of which stories the gospel implicitly associates Jesus and Mary. Options c, e, h, and m all suggest a watchtower, with c carrying the indirect meaning of “elegant” or “great”, and e referring to the Shulammite’s dance.

Options f and v are fascinating but unlikely possibilities, and options e, h,and q are logical but abstruse, therefore weak as explanations for why Mary’s friends and family would call her “Magdalene”. Still, the erudite amanuensis could well have had e and h and especially in his own mind as he composed the gospel, in particular as he sought appropriate imagery for describing the nearly indescribable scene of Jesus’s resurrection. In the process of borrowing Song of Songs 4:15 in his composition of that episode he could well have read mayan gannim, in the same verse, been struck by the phonetic resemblance to Magdalena, and borne in mind a poetic association between the “wellspring of water” (which is what mayan gannim means) and Mary’s overflowing tears.

That leaves either c, g, j, k, l, or m through y as the reason that she was generally known as “Magdalene”. Either c or g or some combination would be a sensible if cautious conclusion, especially if Mary had a beautiful neck or breasts; certainly we learn from 20:17 that she was sexually attractive. Options j, k, l, m, n, o, p, q, r, s, t, and u are relatively risky conclusions and only time and scholarly debate will serve to see if any of them can prove themselves; but the ground has long been prepared for them by such scholars as Raphael Patai (The Hebrew Goddess) and Merlin Stone (When God was a Woman).

I myself believe the best solution is one or more of l, m, n, o, p, r, s, t, u, or y. The first two would succinctly denote the fact about Mary that most stood out to those who knew her: her having been a Temple priestess; m also would further clarify who is the “dove” that comes to Jesus at his immersion (1:32). The others would directly relate her cognomen to her relationship with Jesus, amply explaining why it caught on in the Christian community and is well remembered to this day; n and t center on her first encounter with Jesus, o, p, and y on her encounter with Jesus at the resurrection, u on both the first encounter and the resurrection, and r and s on her relationship with Jesus. So good are all of these explanations that it could have been a combination of any two or three or more that provided reason for her to gain this cognomen. Because they are more sweeping, hence more likely to lead to a cognomen, I lean most strongly toward l, r, and y; and, much as I find many others fascinating, if I had to choose a single one it would be y.

Any of this last group of explanations would also answer a very good point made by Karen L. King (as quoted in “The Inside Story of a ControversialNew Text About Jesus”, by Ariel Sabar, Smithsonian.com, 18 September 2012). She notes that in the first century “women’s status was determined by the men to whom they were attached,” citing as an example “Mary, Mother of Jesus, Wife of Joseph” (and later, I add, “Wife of Clopas”). If Mary Magdalene had been Jesus’s wife, King insists, she would have been known as that, and the fact that she isn’t King calls the strongest argument against the contention that she was Jesus’s wife. But if for instance “Magdalene” means “sacred of/to the goddess” or refers to a dove tower on Gerizim, then that was her “marital status” as a priestess in the Samaritan religion, and she would have been already well known by that cognomen before wedding Jesus.

And if her cognomen refers to Jesus going into the well of her spirit and drawing forth water, or to the stone drawn away from the tomb such that Jesus and Mary may embrace, or if it means “a draft of water deeply yearned for”, “the choice fruit of the vine shoot” or “the attractive power that makes someone a partner/companion” – in short, to Mary as one with Jesus such that they, together, embody the very image and likeness of Elohim (God understood as comprising male and female as one), returning to the state of the perfect hermaphroditic Adam, before the female nature was removed from the male’s side – then the cognomen does, as King would wish, refer to her marital status with Jesus. Indeed, this gospel strongly suggests that what made Mary so appropriate a spouse to Jesus’s thinking was that she was a κοινωνος, his spiritual equal, and all of these latter interpretations of her cognomen emphasizes this central fact about Mary.

All this said, the cognomen “Magdalene” only appears in John thrice, once in the crucifixion episode and twice in the resurrection episode. But this is enough to lead many scholars to conclude that she is a different woman from the Mary who lives in Bethany, and whose name is always just Mary, without any cognomen. As discussed in the commentaries to the two episodes where “Magdalene” appears, I believe it was added therein by the redactor, and that the Beloved Disciple and amanuensis in the original text referred to her simply as “Mary”, without cognomen. Thus, in this translation, “Magdalene” is excised.

Her given name, Μαριαμ (Mariam), has two origin explanations: the traditional one and the actual one. Both would have been commonly known to reasonably well-educated Jews in the first century. The actual derivation of her name is from the Egyptian Meri-Amen, “Beloved Amen”, the name of Moses’s elder sister, referring to the Egyptian deity who was so pervasive by the time of the Middle Kingdom, in the last centuries B.C.E., that Egypt was essentially monotheistic. Meri-Amen becomes Μαριαμνη (Mariamne) in the Gospel of Philip, by the Presbyter’s friend Philip the Evangelist. See the discussion on pages 969-70.

I reject Madan Mohan Shukla’s idea, in an article published by the Oriental Institute at Baroda in 1979, that the name may go back to the Sanskrit मातृ (matri; the “t” is very gently pronounced), meaning “wife” and “mother”, which evolved into the latter English word, as well as the first half of “matrimony”. Shukla’s reference to an Indian goddess named Mari is likelier since she might be etymologically associated with the Egyptian Meri (Beloved).

The traditional explanation is that “Mary” comes from the Hebrew word הרמ (mara, “bitter”), referring to tears; it is the name that Naomi (which means “sweet” or “pleasant”) gave herself when she was weeping bitter tears for the death of her sons and her husband (Ruth 1:13). The traditional name has a deeper root meaning in מָר (mar, “drop”), as in a teardrop, but going even farther back to מֹר (mor, “myrrh”), which is the resin of a thorny tree, harvested by wounding the tree until it bleeds out, drop by drop, its bitter lifeblood, hence the name. Myrrh was associated with death, being an embalming compound. It was also a component in ketoret, the consecrated incense used in the First and Second Temples at Jerusalem, according to the Tanakh and Talmud – and thus would then have been very much in the nostrils of Mary and the disciples during the commemoration of Passover at the Temple.

How ironic that, before Jesus’s death, a thorny wreath, very possibly from the myrrh tree, was placed on his head (19:2), and that he was whipped and stabbed like the tree until his blood came forth as does the liquid myrrh (19:1,34). How ironic that after his death Nicodemus and Joseph of Arimathæa prepared his body with myrrh and aloes (19:39-40). How ironic it is that Mary Magdalene, with such a name as that, but recently weeping bitter tears for her son (John 11:31,33), now again had drops of tears falling like drops of myrrh from her eyes for her husband (20:11).

 

The Wind and Dove Descend on Jesus

The Wind and the Dove Descend upon Jesus:

Multiple Meanings in John 1:32

James David Audlin

From the new edition to be published in the second week of March 2014 of

The Gospel  of John Restored and Translated, Volume II

as published by Editores Volcán Barú

Nonfiction by James David Audlin

This verse is loaded with multiple meanings. The Greek word πνευμα means “wind”, “breath”, and “spirit” as do the Hebrew and Aramaic words behind it. The verb καταβαινω (“to descend”) appears here significantly for the second of three times in the opening episodes, clearly to bring back to mind the opening Prologue (3:13) and to anticipate Jesus’s concluding statement to Nathanael (1:51). The word ουρανος means both the physical“sky” and “heaven” (in the spiritual sense) as is the case in every language I know except English. Thus John is talking at the same time about a wind out of the sky, God’s breath exhaled down from heaven, and God’s Spirit descending from heaven.

The verb θεαομαι (theaomai) is related to our modern word “theater”; it is more specific than the English verb “to see”, more exactly meaning to observe something intensely but passively, as a spectator watches a performance on stage. In classical literature it GOJ-front 2vol IIcarries the strong suggestion of being deeply affected by what one is observing. This verb anticipates a point introduced in the next paragraph, that in this gospel John never actually administers to Jesus his immersion ceremony. If he had, the text here would say, “As I was immersing him…”, or, “As I was about to immerse him…” One gains the sense from the phrasing here that John was not close to Jesus as this miraculous event occurred; he may not even have been in the Jordan but still on dry land watching this profoundly moving drama with helpless awe.

Unlike the self-administered mikvah,John’s immersion ceremony was one that he had to execute himself. Hints may survive in the ceremony done in John’s name to this day by the Mandæans of southern Iraq (cf. Sabian Mandaean the Secret Root of Christianity, by Salim Berenjie). Rabbi Ben Abrahamson says the Sabian Mandæans were originally Notzrim, a group John and Jesus both appear closely associated with, but changed their designation in the face of rejection by orthodox Christians “to continue to live under the protection Allah SWT gives to the ‘people of the book’”.

John’s declaration does not say he actually performed the immersion ceremony for Jesus. Scholars usually say the author left it understood that it was done. But I ask: How he could have performed it if he felt unworthy even to untie Jesus’s sandals (1:27)? I think it was not done, because a miraculous event superseded it, and John was frozen into immobility.

That event is bound up in a close reading of the verse. The word περιστερα (peristera, “dove”) that we find in the text is virtually identical in pronunciation to another word, πρηστηρ (prēstēr, “whirlwind”), especially as declined in this verse, περιστεραν/πρηστηρον (peristeran/prēstēran) – the consonants are exactly the same, which would jump right out at Lazarus and John the Presbyter, whose first languages were Hebrew and Aramaic, which at the time were written with only consonants. It is possible that this is a scribal error on the part of the amanuensis or else extremely early in the subsequent history of the gospel text, since the words for “dove” and “whirlwind” are quite unlike in Hebrew and Aramaic. But I reject this possibility, and also the possibility that this was a “correction” by the much later redactor to make this gospel conform to the three Synoptic gospels, since as is argued below both words would be very appropriate here.

This verse has always been understood to be saying one thing came down: a wind in the form of a dove. But I believe two things happened at about the same time – that both a whirlwind and a “dove” descended on and remained with Jesus, as I shall now explore. Any first-century Jew reading this text would not need to be reminded of Elijah’s whirlwind as a spiritual father of this event, but the dove connection would not have been quite so clearly evident; I think this is why the Presbyter added a phrase saying that just the wind came down, so also did a dove.

John testifies that he saw the πνευμα come down out of the sky/heaven. The word πνευμα can mean“wind”, “breath”,or “spirit”depending on context, and the context here, that it came down from the sky, tells us the intended main meaning is “wind”. (Still, to remind the reader of these other meanings, the translation retains all three.) We know from experience that a wind out of the sky sometimes does take the form of a whirlwind; the text clearly makes sense with that reading. The usual reading, that a wind came out of the sky/heaven in the form of a dove, makes little sense. A wind can no more take the form of a dove than it can take the form of a barn or a banana or the Beatles. However a wind can take the form of a whirlwind.

Besides being nothing like a mighty gale, a fragile dove would not be able to withstand a whirlwind out of the sky, let alone safely alight on Jesus and manage to stay on his shoulder, without getting blown away. In any case, the very next verse, 33, seals the matter by expressly saying the πνευμα, the wind (and not a dove), descended onto Jesus.

This provisional reconstruction of the author’s original intent also makes contextual sense. Immediately before this episode is the Prologue, which contains significant references to the Breath/Wind/Spirit of God that moved across the surface of the waters in Creation (Genesis 1:2) and that was breathed into Adam’s nostrils (Genesis 2:7). The conversation with Nicodemus, which picks up this theme, comes soon hereafter. And this passage forms an inclusio (that is to say, it is in A-B-A symmetry) with 19:30, in which Jesus breathes out the wind/breath/spirit within him for the last time as he dies, and 20:22, in which Jesus exhales on the disciples and says “Receive the πνευμα άγιον” (the sacred breath/spirit/wind – equivalent in Greek to רוּ חַ [Ruach], the Breath/Soul of Life); by exhaling he proves he is alive, but also with that breath he heals them, he blesses them, and he fills them with the Name and Spirit of God.

I wonder if John the Presbyter’s focus here on the whirlwind, πρηστηρ, led to the Mediæval Prester John legend.

YHWH was clearly conceived of anciently as a storm god, as imaged in Psalm 2l, especially verse 3, in which the roar of YHWH’s voice is over the waters just as was the YHWH’s breath in Genesis 1:2, and as is the whirlwind here. The Israelites arrive at Mount Sinai and, on the third day, there is darkness and storm (Exodus 19:16), and Moses comes down the mountain to deliver the Ten Commandments (Exodus 20). Those three days parallel the three day revolving around John the Immerser in chapter 1, with this day being dark and stormy. Again, obviously, an association is being drawn with Moses.

Any first-century Jew reading this account of a whirlwind hovering about Jesus would instantly think not only of Genesis, Exodus, and the Psalm, but also of Isaiah 11:12, which says the wind/breath/spirit of God will rest upon the expected Messiah. And a whirlwind resting on a prophet at the Jordan River (1:28) would also immediately call to the mind of that reader, as it clearly did the delegation that came to ask John questions (see the commentary above to John 1:20-21), the story of Elijah, also at the Jordan, transferring his prophetic power to Elisha (II Kings 2). Elijah strikes the river with his rolled-up mantle and the waters part, echoing the story of Moses, to whom this gospel often compares Jesus, likewise parting the waters. After Elisha asks for a double portion of Elijah’s spirit, a chariot and horses of fire appear, and Elijah is taken into heaven in a whirlwind. Except for the mantle and the chariot and horses of fire, everything matches up. An older prophet (Elijah/John) nearing the close of his ministry ordains the beginning of the ministry of a younger prophet (Elisha/Jesus) who has a double portion of the older one’s spirit; the River Jordan is passed through or entered into; and a whirlwind comes from heaven. One pertinent difference is that the whirlwind takes one waning prophet, Elijah, to heaven, but not John, since he is to die at Herod’s hand; rather, the whirlwind comes down to anoint Jesus, evidently conferring on him something of the nature and spirit of Elijah as it did Elisha. This whirlwind is the presence of God, the voice of God, the breath of God, which Moses only saw after it had passed by and it was safe to leave the cave where he was hidden. This whirlwind is אֶהְֶיֶה אֲֶשֶר אֶהְֶיֶה(“I Am and Will Be What I Am and Will Be”), it is God’s name. Occasionally God confers the rare honor of being “taken up into heaven”; II Kings 2 aside, Genesis 5:24 is also interpreted to say the same of Enoch, and it is generally believed that Moses too was taken up into heaven, though there is nothing to say so in the Torah. This gospel suggests this was going to happen with Jesus too (cf. 6:62 and 20:17); certainly, in the theology of Jesus as presented in this gospel this would further validate his status as Messiah. (Much later, the Ascension of Jesus would become church doctrine, but with an entirely different import; it is fancifully described in Luke-Acts and in a late addition to Mark.) The Talmud often speaks of the spirit/wind/breath descending from the sky/heaven to anoint the Messiah (e.g., Test. Levi 18, Test. Judah 24:2). The storm here returns as an inclusio during the crucifixion, as discussed on page 915. All in all, the gospel is drawing a strong comparison between Jesus and both Elijah and Moses, clearly telling us the gospel is directed at least at a Jewish audience.

As presaged above, there are at least two obvious conclusions. One is that the amanuensis meant to write the Greek word for “whirlwind” as he was taking down the Beloved Disciple’s spoken reminiscences, but accidentally wrote the similar Greek word for “dove”. The other is that this was a deliberate change effected later by the redactor of this gospel, to bring it into conformity with the by-then-published Synoptic gospels. Those three gospels all feature (rightly or wrongly) a dove; since Matthew and Luke based their tellings on the version in Mark, we can conclude – if in reality it was a whirlwind that visited itself upon Jesus at his immersion – that the scribal error occurred in the early stages of composition of Mark’s text, and Matthew and Luke simply repeated the mistake, and then John was edited to conform to the other three.

A third, less obvious conclusion requires us to put aside two thousand years of assumptions about this text and read it afresh. The Greek adverb ως (hōs) has in this text always been taken to mean “like”, to say there is one thing, the wind, which takes on the form of another thing, a dove; but ως, as noted in standard references like Strong’s, can also mean “just as”, “in the same manner as”, which here would say there are two things that have something in common – that the wind and the dove both came down to Jesus and remained on/with him. The Aramaic adverb ܐܝܟ (hayk) in the Curetonian Gospels text, usually translated in this verse as “like” as is ως, also can take this latter sense, as noted in standard dictionaries such as Jastrow’s. The double entendre of πρηστηρ/περιστερα, typical of the Presbyter’s style, is only possible in Greek, since the Aramaic words for “dove” and “wind” are considerably different, but the latter text still can be clearly read as saying both the wind and dove came down toJesus.Since this reading clears up the issue of how wind can take on the totally unlike appearance of a dove, my translation presents these two meanings, such that both the whirlwind and dove come down and remain with him.

This double entendre analogy is well-rooted in the Tanakh, in passages that would have occurred to any first-century Jew. The Talmud and Dead Sea Scrolls both offer an analogy that conjoins both parts of the double entendre, comparing the ruach of God that moved over the surface of the waters in Genesis 1:2 to a female dove: Shimon ben Zoma in the Babylonian Talmud Chagigah 15a, for instance, says that the ruach hovered over the waters in the way a mother bird hovers over her young without touching them (though he was criticized for this analogy, whereupon he was so mortified that he instantly dropped dead). John Milton, who took much of his material from the Talmud, put it thus (Paradise Lost, I, 17-22):

… Thou O Spirit …

… Thou from the first

Wast present, and, with mighty wings outspread

Dove-like satst brooding on the vast Abyss

And mad’st it pregnant …

In many other passages the common thread is their portrayal of the dove as seeking out a sanctuary from one’s enemies in the wilderness, a theme common to John, Jesus, and this gospel. In Genesis 8, the dove guides Noah out of the torment of water and wind to dry land, as, so I will suggest below, Mary does here. Psalm 55:6-8 refers to a dove flying away to safety, out of the dangerous whirlwind. Jeremiah 48:28 urges one to imitate the dove, living in safety among the inaccessible crags. Psalm 11:1,3 similarly has the psalmist upbraid his advisors: “How (can you) say to my soul, ‘Flee (as) a bird to your mountain’? … If the foundations are torn down, what do the righteous do?”, which for Jesus would be a salient question: How can Mary flee back to the Samaritan community at Mount Gerizim for safety if that place is in danger? In 2:19 he will speak of the foundations of the Jerusalem Temple being pulled down.

And the most significant reference to a dove: the Shulammite, the beautiful woman in the Song of Songs, which this gospel associates with Mary by way of frequent paraphrases from that work, is often compared in the Song to a dove. In Song 2:14 the man asks the woman, whom he calls his dove, to show herself in the concealed place along the steep way – the landscape described in that verse is one that the eyewitness and amanuensis would have agreed describes accurately this rock-strewn, craggy countryside where John was immersing people, which Gulielmus Tyrius described as also abounding in what the locals called dragons, which he defined as “hidden passages and windings underground”. Visitors to the region today will find it continues to be full of concealed places along steep ways.

This verse in the Song of Songs suggests the possibility that the whirlwind and the dove could both have been present at the immersion – that would be the case if the dove, the beloved, “showed herself in the concealed place” in the form of Mary, called the Magdalene in the Synoptics. This famous cognomen may indeed refer to doves, as is discussed in the essay on page 406. Every time she appears in this gospel the text includes references to the beloved woman, the “dove” of the Song of Songs.

The whirlwind could literally have come down from heaven and remained on Jesus, and the “dove”, Mary, could also have come down from the shore and helped Jesus, likely a bit disoriented by the frigid currents and fierce wind, out of the water, and “remained” with him – remained forever, as his wife. This helping Jesus from the death waters is an inclusio-reversal of Jesus guiding Mary out of the darkness of his tomb into the dawn light at the resurrection. As at the resurrection, Simon and Lazarus, at present John’s disciples, are here but ineffective. Everyone else watches helplessly as the whirlwind descends on Jesus in the frigid turbulent current, thinking that they about to see a man swept away to his death.But she knows what to do; she enters the water – and the whirlwind ceases and she guides him to shore, just as the wind ceases when Jesus enters the boat in 6:21 and he guides the disciples to shore. In her first appearance in this gospel Mary is portrayed as a κοινωνος, a co-Messiah with Jesus.

The presence of the Breath/Wind/Spirit tells us that God is in this scene in the aspect called in the Tanakh YHWH (the proper pronunciation of this name being an exhalation). The Prologue, as we have seen, evokes from its first words the creation stories that begin Genesis, and that theme continues here. Where Elohim created the first human in Elohim’s own image, as a hermaphrodite, comprising as one both masculine and feminine (Genesis 1:27), it was YHWH who then split this first human into two, a man and a woman (Genesis 2:21-22). Here, however, the whirlwind-presence of YHWH begins the process of reversing that separation, driving together this new Adam and Eve, Jesus and Mary, such that, by the end of this gospel they will be again completely one flesh (Genesis 2:24) in Elohim’s image.

Strengthening the view that Mary is present in this scene is the clear inclusio between John, the first to declare publicly Jesus as Messiah after his symbolic death-and-resurrection in the Jordan (1:43), and Mary, the first to declare publicly Jesus as Messiah during his ministry (4:29; John only discusses Jesus as Messiah with certain religious officials, and the disciples only privately, in chapter 1); she is also the first to declare him Messiah after his literal death-and-resurrection (20:18). Moreover, there is an inclusio inasmuch as here Mary watches while Jesus enters the water, and again when he dies on the cross (19:25), and as here she runs to help him from the river waters, and again runs to him at the resurrection. There is another inclusio: Jesus is reunited with Mary in a garden after arising from the dead in chapter 20, just as he will be reunited soon after this immersion scene with this woman, at a gardenlike spring in chapter 4. And the whirlwind here is mirrored by suggestions discussed below of a wind and storm at the time of the crucifixion. With so many clear correspondences being drawn between John and Mary, the possibility that Mary was present at Jesus’s immersion must be considered.

It will be established below that Lazarus was Mary’s son and at this time a disciple of John.If so, then Mary could have come from Shechem to visit her son, who at the time of the immersion would have been there to witness it. Mary may even have come to be herself immersed by John, to recollect her Jewish heritage after serving as a Samaritan priestess, to make herself Jewish-kosher, to have her past “washed away” through the immersion. If so, then not only Jesus but Mary too would have been naked for the immersion, as was customary. Logion 107 in the Gospel of Philip says we are to undress before we “go down into the water” such that we may be “clothed with the Living Water”). So too does the Diataxis [Ordinances] of the Holy Apostles (more commonly called “The Apostolic Tradition” or the Anaphora of Hippolytus of Rome), at 21:1-5, which in recording the baptism rite of the early 300s in the Eastern Church, very likely the practice in John’s Asian churches as well:

At the hour when the cock crows, they shall make prayer over the water. The water shall be flowing through the baptismal enclosure, or pour into it from above where there is abundant water; if water is not abundant, use whatever water is available. They shall then remove all of their clothing. The children shall be immersed first. If they can speak for themselves, they should do so; otherwise, their parents or other relatives should speak for them. Then the men are immersed and, last, the women, after they have first unbound their hair and put aside their gold and silver ornaments that they are wearing. Let no one take any foreign object with him down into the water.

And, needless to say, this is also still today the practice in the mikvah. The mikvah, like this early Christian baptism, was intentionally celebrated as a birth ritual and we are all born naked (Job 1:21).

Jesus’s nakedness in this scene forms an inclusio with his being nearly so to wash the disciples’ feet (13:3-12a), and his complete nakedness on the cross (19:23-24) and at the resurrection (20:6-7), when he was spiritually reborn and spiritually remarried to Mary. She would probably have been nigh naked herself at the crucifixion, and certainly at the resurrection, since the tradition then was for a grieving person to rend his or her clothes into pieces. That increases the sense of an implicit eroticism to this scene of a man and a woman naked together in the water, which parallels the implicit eroticism at the spring in Samaria and forms an inclusio with the clear eroticism at the resurrection(see the references under “eroticism” in the final index).

It is possible that Mary was assisting John in the immersion rites; as a former Temple priestess this would be a familiar role for her, and John would be known to her if, as I think, her sister Martha was the wife of his son Simon the Rock. Thus, she may have helped Jesus and others there for the ritual to undress, and to untie his sandals, the very act that John felt he could not do himself (1:27), and to throw around him a fresh white linen robe afterwards. Thus too she was quick to respond, going to Jesus in the wild current and wind to rescue him when everyone else was frozen. If, as suggested above, John’s immersion ritual was preëmpted by a miracle, a whirlwind descending on Jesus, then John may never even have entered the Jordan to do the rite! – and a second miracle, a dove, Mary, descended on Jesus in the Jordan to bring him to shore. If Mary undressed and reclothed him in this scene, there is an inclusio with her coming to the tomb (20:1) to undertake the wifely responsibility of tohorah, the ritual purification of a body by undressing it, washing it (equivalent to the immersion here), and then reclothing it in a fresh white takhrikhin (linen wrapping). And if the great preacher John felt unworthy of unlacing Jesus’s sandals and helping him to undress, and these tasks fell instead to Mary, then Mary must already have been in a very special capacity on behalf of John.

The Samaritan Temple on Mount Gerizim had had a dove image for veneration, and though the Temple was destroyed it or a replacement may still have been on display in Mary’s time, as suggested by the Talmud (Hul. 6a) – in fact, the dove image originally worshipped there was reportedly the idol buried by Jacob under the oak here at Shechem (Genesis 35:4; Tosafot Ḥul. 6a); it could be that it was found and put back on display.

Also, while as noted above the Aramaic words for “dove” and “wind” are quite unlike, the Aramaic word for “dove”, ܝܘܢܐ (yawna), is so similar to John’s name in Aramaic, ܝܘܚܢܢ (yawhnn) that it could have been as a feminine variant of the name; though no such variant has been found in early writings, that does not exclude the possibility. The two words are not quite as close in Hebrew, in which “dove” is יוָֺנָה (yonah; also the name “Jonah”; no surprise, the tale of Jonah is yet another dove-resurrection connection) and John is יוֹחָָנָן (yochanan). The meaning of John’s name, “God has been gracious”, has nothing to do with doves, though note that the etymology of yawna is unknown, so the possibility of its being related to yawhnn cannot be firmly ruled out. Still, Lazarus and/or John the Presbyter could have noted the phonetic similarity as they worked out the double entendre they adopted in their original Greek text – or, possibly, Mary was called yawna because of her putative role as John’s assistant; indeed, this might be the root of her Synoptic cognomen “Magdalene”; cf. pages 409-10.Doves were often used as government, commercial, or military messengers, and, writes Rabbi Ben Abrahamson, as a means of divination of the “word from heaven” for the Notzrim, a religious sect embracing the Essenes, with whom John and Jesus may have been aligned.

The Gospel of Philip may provide support for this possible involved presence of Mary at Jesus’s immersion. This noncanonical gospel, more of a reflection on Jesus’s life and teaching than a narrative gospel, was apparently written by Philip the Evangelist, not to be confused with the apostle; he was known to John the Presbyter, and like him one of the larger group of disciples who followed Jesus. Often wrongly labelled Gnostic, the gospel is theologically and imagistically not far from the Gospel of John. At logion 82 it closely associates immersion, resurrection, and marriage in terms of the reconciliation of male with female in the image of Elohim – a theme that will come up several times in this work:

The immersion has the resurrection [with] the reconciliation coming into the bridal chamber; yet, the bridal chamber is more exalted than these.… One will never find its like.

And it may be speaking of John (as the friend of the bridegroom; cf. John 3:29) and the disciples (as the sons of the bridegroom; Jesus often addresses them as his children; at least some were in their actual childhood) when it says of the nakedness of the bride (logion 131). Note also that Mary’s mother Salome was among the women at the tomb according to Mark 16:1.

Let her [the bride] come forth and be revealed only to her father and mother with her, before the friend of the bridegroom, [and] before the sons of the bridegroom.

In the much-debated fragment from the so-called Gospel of Jesus’s Wife Jesus not only calls Mary “my wife” (tahime), but says “Asforme, I dwell/exist/live with her in order to […] an image […]”. The verb suggests “I live with her” in three senses: the ordinary sense of cohabitation, the higher sense of spiritual union, and the highest sense, of the vitality in all things that vivifies life. Thus, Jesus is probably saying his marriage to Mary is part of the Messianic image he hopes to convey; applied to the immersion, their meeting at his symbolic death-and-resurrection in the river is perfectly matched by their meeting anew after his very real death and resurrection.

Doves in this part of the world are not white, as in European paintings. More properly called turtledoves, they are buff on the breast, with gold-grey-brown wings. They are migratory, coming to this land from Africa in early spring (Song of Songs 2:11-12) and returning thither in August; curiously, Mary only appears in this gospel in Acts One and Four, which take place in the spring, and not in Acts Two or Three, which take place in October and December. Their coming from Africa is also reminiscent of the possibility

(discussed on pages 408-09 and elsewhere) that Mary may have been a priestess in Egypt. The turtledove’s arrival coincides with the fierce spring wind best known in the West by its Arabic name, خمسين (khamsin, written as חמסין in modern Hebrew), which in Biblical times was called רוחַַקדים (ruach qadīm, “east wind”). This dual arrival of the dove and the wind could in fact have suggested the metaphor of πρηστηρ (wind) and περιστερα (dove) at the immersion.

Why the dove imagery? Because it tells the informed reader that Mary is there with Jesus: in this first episode of the gospel this is the first appearance of the divine couple, the Messiah and the Priestess, the whirlwind and the dove, the Spirit and the Bride (Revelation 22:17). Dove imagery was at the time universal in the spiritual traditions of the eastern Mediterranean, and it vividly supports the identification of Mary with a dove. James A. Montgomery (in The Samaritans: The Earliest Jewish Sect)discusses the oft-cited belief that the then considerably eclectic Samaritans worshipped a dove on Mount Gerizim, where Mary was a priestess. He eventually dismisses it, mistakenly, since indeed John Hyrcanus’s stated pretext for destroying the Samaritan Temple in 110 B.C.E. was its dove imagery, but yet he speaks approvingly of other scholars (Selden and Ronzevalle) who associate the dove cult with the goddess Semiramis and the Ashima mentioned in II Kings 17:30. Donald A. MacKenzie (in Myths of Babylonia and Assyria) discusses the close connections between Semiramis and doves in the myths about her. Her Assyrian name, Sammu-rammat, derived from Summat (“Dove”), signifies “The Dove Goddess Loves Her”. In the most ancient form of the myth, says MacKenzie, she was turned into a dove and took flight into heaven in that form. He adds that Robertson Smith demonstrated that the dove was of great sanctity among the Semitic nations, often closely associated with love, also symbolizing innocence, gentleness, and holiness. The Greek Aphrodite was also associated with doves, signifying love.

Like περιστερα (“dove”) and πρηστηρ (“whirlwind”) in Greek, amenu, “dove” in Egyptian and , Amen, the Egyptian god of wind, are near homonyms. And the dove Mary’s name comes from Mari-Amen, “Beloved Amen”, the original name ofvMoses’s sister Miriam, who watched as he was drawn, sacredly reborn, out of the Nile by the pharaoh’s daughter as she ritually bathed, no doubt naked: as Mary, also surely naked, here draws Jesus sacredly reborn from the Jordan. The mother of this pharaoh’s daughter was Ahmes (“Daughter of Amon”). In being reborn from the river, Moses is renamed as a god’s son and Jesus is anointed as God’s son/Messiah.

So ultimately in the doubles entendres of πρηστηρ and περιστερα, amenu and Amen, we have as one the two aspects of Elohim, God and Goddess, arriving to anoint this the first encounter of Jesus and Mary. The episodes at the Samaritan well, in Cana, and of the resurrection will continue this theme of joining together humanity, originally severed into male and female in Eden, to create the united male-female being, Jesus and Mary, that reflects the image and likeness of Elohim. The meticulously constructed inclusio nature of this gospel just about requires the presence of Mary at the immersion: symbolic spiritual rebirth was for Jesus (at least as presented in this gospel) was all about undoing the sin of our first forebears in Eden, such that male and female can be rejoined. This major theme of the gospel, discussed at length in the commentaries on the resurrection, forms an inclusio with this symbolic spiritual rebirth, though that one is not symbolic but literally a rebirth from death; Mary was present at his death and resurrection, and so for literary reasons the author must want us to conclude that she was present at this immersion too: his spiritual rebirth in both places is the rejoining of Eve with Adam, so Mary can be joined with him in both places.

If the theory that Mary was actively present at the immersion is true, then why was it not clearly stated in the gospel? It may be the redactor found it unacceptable (for the clear suggestion that Jesus was involved with this woman) and excised it; I reject this possibility because the redactor let stand other similarly “romantic” passages with but minimal changes. It may be that the amanuensis meant to make her presence more specific in the telling of the immersion, but never got to it; we know that the original version of the gospel was never completed. The compositional problem might have been that the author put the description of the immersion in the mouth of John (even though Lazarus the eyewitness was certainly there), and either an expansion would have to be still in the first person or else a new narrative strand based on Lazarus’s memories would need to be inserted. And it may simply be that the gospel author decided what he had written was clue enough for the intelligent reader to recognize and interpret correctly what transpired – and it is only we modern gentiles who miss the clue that would have been instantly clear to any reasonably literate first-century Jew, since we do not share the necessary symbolic Weltansicht, and since the lenses of our comprehension are clouded by two thousand years of errant dogma.

Should this hypothesis of Mary at the immersion be correct, it is not hard to theorize how it would have been recounted in this gospel. As discussed in the Introduction, many scenes in the gospel appear to be sketches that were going to be expanded later, but, alas, there was no opportunity to do so probably because of the Roman decimation of Jerusalem in 70 C.E. John’s narration of what happened (1:31-33) is complete as it stands, but it could have been slightly extended, to say that after the whirlwind churned up the water in a miniature inundating storm of water (a parallel to the Flood [Genesis 7:17-23], in which everything died, just as this immersion was a symbol of death, and after which a wind descended from heaven [Genesis 8:1, the Hebrew wording of which is close to Genesis 1:2]), the dove came down to the waters in the person of Mary, to guide Jesus to dry land (Genesis 8:8-12), to draw him forth from the waters (Exodus 2:5).

If Mary was there to be immersed herself, and/or to assist John, then likely Jesus took notice of Mary, whom Lazarus would have told his new teacher was his mother, and/or whom Simon the Rock (Peter) said was the sister of his wife Martha. This would have led to the arranging of their meeting at the spring in Shechem, the next episode. This is of course speculative, but it would connect this scene closely with the next, at Jacob’s Spring, and explain why this scene is followed immediately by that one, and then the wedding. It would also help explain the disciples’ surprise in 4:27; she is not entirely unfamiliar to them!

Les Petites Heures de Jean de Berry, a late 1300s “book of hours” illuminated manuscript, provides a fascinating footnote discussed by Ariadne Green in her book Jesus Mary Joseph. It includes two very similar depictions of this immersion scene, however in one there is no descending dove overhead, but rather a lamb putting its forepaws on John’s arm. This may be a reference to John calling Jesus “the lamb of God” (1:36/29), and it may record an old tradition that Mary was at the immersion: the Aramaic word for “lamb”, ܵamara, is close to her name in Aramaic, Mara.

Behold Your Mothers: Adopted at the Crucifixion

GOJ-front 2vol Ib From the recently published complete edition of The Gospel of John Restored and Translated, Volume II, as published by Editores Volcán Barú, available here.

This essay, taken from The Gospel of John Restored and Translated, Volume II, first discusses who the Gospel of John names as witnesses to the crucifixion of Jesus, and second considers the nature of the Beloved Disciple’s adoption by Jesus. Analysis will begin with verse 26, which tells us who were the witnesses to the crucifixion. The Gospel of John gives us a very limited number, and these will be discussed shortly.

First, however, we must discuss which witnesses the Synoptic gospels say were present. (Luke only tells us that “his friends”, including “the women who had followed him from Galilee” were there, so the women present must be more or less those in the lists given in Luke 8:1-3 and Luke 24:10, and the following is based on that assumption.) All three Synoptics put Mary Magdalene at the crucifixion, as does John. They also all place Mary the mother of James the Younger and Joses on the scene; in my opinion this is one way that Jesus’s mother was designated following her remarriage (see the essay on page 371); hence, though there is no specific reference to “Jesus’s mother” in the Synoptics, they still cohere with John, which specifically says his mother was there. Matthew says the mother of the sons of Zebedee was there, but the earlier Gospel of Mark, based on Simon’s eyewitness accounts, lists instead Salome (a garbled Greek version of the Hebrew/Aramaic word for “peace”), who I believe was the mother of Mary Magdalene (see pages 452-53). In sum, there is a reasonable coherence among the three Synoptic gospels that present were Mary Magdalene, Mary the mother of Jesus, and either Salome mother of the Magdalene or the wife of Zebedee too.

It is not immediately clear who the women are who are mentioned in the Gospel of John as witnesses to the crucifixion. Depending on how the text is read, either four, three, or two women are mentioned in 19:25.

Four women – Depending on how it is punctuated, this would be either a: Jesus’s mother, his mother’s sister, Mary the wife of Clopas, and Mary Magdalene; or b: Jesus’s mother, his mother’s sister Mary, the wife of Clopas, and Mary Magdalene. It is unlikely that two sisters would be both named Mary, and so the second alternative is rejected. The main problem with the four-women hypothesis is that the word και (“and”) appears inconveniently between the first two and second two, and not as would be grammatically correct, either only before the last (Mary Magdalene) or between all four. Also, this alternative would conflict with the Synoptic accounts.

Three women – This would be either a: a kind of acrostic involving all elements except Mary Magdalene: Jesus’s mother Mary, his mother’s sister the wife of Clopas, and Mary Magdalene; or b: Jesus’s mother, his mother’s sister Mary the wife of Clopas, and Mary Magdalene. Again, the second is eliminated because two sisters would not be named Mary. The first is possible, but the two-women reading that follows is much more satisfying grammatically, factually, and poetically. This option, too, would conflict with the Synoptic account.

Two women – I agree with James Tabor that this list comprises an acrostic involving all elements in the verse, including Mary Magdalene, and that therefore Jesus’s mother is here named as Mary wife of Clopas. This would cohere with the Synoptic accounts, which agree that Jesus’s mother and the Magdalene were present. (If Mark is right that the Magdalene’s mother Salome [see pages 452-53] also was there, then she went unmentioned in the Gospel of John, since the author does not include anything extraneous, and she is uninvolved in Jesus’s final command in 19:26-27.) What is more, in this reading, the two instances in the verse of και (“and”) set up a fine division of the names into a couplet of semipoetic lines:

His mother and his mother’s sister,
Mary the wife of Clopas and Mary Magdalene.

This seems typical Hebrew poetry, saying the same thing or a parallel thing twice but with different wording the second time. The problem is that Mary Magdalene was certainly not Jesus’s aunt! This glaring mismatch is undeniable proof that the redactor of the original text was as usual removing any reference to Jesus’s marital status. It seems logical to conclude that he may have changed the text at the end of the first line from νυξς (“daughter-in-law”) to αδελφη (“sister”), and removed the obvious missing parallel to “the wife of Clopas”, which would make this a perfect acrostic: “the wife of Jesus”. The redactor would then have replaced the offending phrase with her Synoptic cognomen “Magdalene”, lest it be unclear who this Mary might be.

This Clopas in verse 25 was probably known in Aramaic as Hilphai; Joseph Henry Thayer suggests in his Greek-English Lexicon of the New Testament that κλωπας (Klōpas) is a transliteration of חילפ ( אי Hilphai), but that, since there is no letter for “H” in Greek, the initial ח in the name was rendered into Greek with a κ, “K”; the “p” sound, more euphonious to Greeks than the “ph”, was substituted; and a Greek-style suffix was added. Early Christian writers Papias and Hegesippus both declare Clopas to be the brother of Jesus’s father, Joseph. James Tabor is right to say that Hilphai (Clopas) almost certainly married Mary after his brother Joseph’s death, and so Mary the wife of Clopas here is Jesus’s mother, and Clopas (Hilphai) his stepfather. Since in this scene Jesus is concerned for his mother’s care, she must be widowed for the second time: Hilphai must be now dead like his brother Joseph before him.

It has often been suggested that Clopas and the Cleopas who appears in Luke 24:13-35 are the same man. If that is so, if Mary still has a husband, then why does the Gospel of John specify that after Jesus’s death the Beloved Disciple took Mary “for his own [mother]” (19:27)? Either a: Clopas and Cleopas are different men with similar names, and bear in mind that these are clumsy transliterations into Greek, so the original Aramaic names could be almost anything; or b: Clopas/Cleopas and Mary have separated; or c: the Lukan episode tells of a son of Clopas, possibly the Levi (ben Clopas) discussed in the essay beginning on page 371. I think the first and third alternatives are the most likely. More about Clopas and Jesus’s brothers and half-brothers may be read in the essay on the same page.

The cognomen “Magdalene” obviously did not come from the author of the original text: Mary has been heretofore named in this gospel only as Mary, and, other than here and 20:1, she is never once called “Magdalene”; that is exclusively the Synoptic cognomen for her. The author of this gospel must have known her, since she had to be a primary source for chapters 4 and 20, and was besides the mother of his main eyewitness, Lazarus. The redactor inserted this nickname here to fill the obvious gap in the phrase “Mary the wife of Clopas and Mary the [__]” after he had excised what the text originally said. Indeed, I am certain that the redactor inserted “Magdalene” into 20:1 as well. In both places I think he used the cognomen to help bring this gospel into closer coherence with the Synoptics.

Thus the text here may have originally read:

His mother and his mother’s daughter-in-law,
Mary the wife of Clopas and Mary the wife of Jesus.

This couplet bears the classic earmark of Hebrew verse, being a pair of lines that says the same thing twice, but wording it differently the second time. And it succinctly describes all the relationships. However, the wording is rather clumsy, especially for poetry, so let us remain open to other possibilities.

Here in verse 25, as elsewhere in the gospel, we see the Beloved Disciple’s modest reluctance to mention himself unless utterly necessary, and also how the amanuensis adds no detail that doesn’t further the story and message of the gospel. So, in this verse, the focus is intent on this couplet about the two mothers Mary, and the eyewitness does not yet mention himself. He lists the two mothers because of what Jesus is about to say, but what Jesus is about to say involves the Beloved Disciple too, and so he is finally mentioned as present in verse 26.

The conclusion that these two lines are verse is supported by the presence of another very similar couplet at verses 26-27. Jesus’s dying instruction to his relatives also comes in the form of Hebrew poetic parallelism, though as we have it it appears incomplete:

He says to the mother, “Woman, behold your son.”
Then he says to the disciple, “[___], behold your mother.”

The construction of the first line of this couplet, in which Jesus appears to address his mother as “woman” (see discussion of this form of address in the commentary to 2:4), requires a similar kind of salutation of the Beloved Disciple, but it is glaringly absent. The lacuna is best filled in with either a relationship word (for instance, “son” or “brother-in-law”) or else the disciple’s name; clearly something has been suppressed here by the final redactor of the text to hide the identity of the disciple. Certainly the original did not clumsily read, “Then he says to the disciple, ‘Disciple, behold your mother.’” Surely, and especially in his dying moments, Jesus is going to hand off that responsibility to a very close family member. It is not likely a brother of Jesus, since the wording strongly suggests Jesus is designating with his words a new mother-son relationship, while such a brother would already have the same mother. This handing-off, actually, was traditionally to a dying father’s son, no one else.

Involved in this scene are two mother-son pairs: Jesus and his mother, and Lazarus and his mother. Both mothers are named Mary; both have known the intense anguish a mother feels mother feels as she helplessly watches her son die. Both of their sons have been called son of the father (Jesus says frequently in this gospel that he is son of the father, and Lazarus was only an hour or two before the crucifixion released by Pontius Pilate under the name Barabbas, which means the same thing). Further, according to Mark 15:40, a third mother-child pair was there: Salome and Mary Magdalene (see pages 452-53 on Salome as Mary’s mother), adding to the poignancy of this scene.

All of these connections between the two mothers were certainly clear to Jesus long before he was hung on the cross. Thus quickly to Jesus’s mind would come the idea of charging his stepson Lazarus with this filial responsibility for his own mother. He may indeed have already decided that he would do this at his last moment, since a dying person’s final request would decisively oblige the survivors to carry it out.

The text makes very clear the strong connection between the two mothers, by naming them and them only as witnesses, notwithstanding who else in actuality may have been there, such as Salome. Verse 25 specifically refers to “his mother” (that is, Jesus’s) and also, as we shall see below, originally referred to “the disciple’s mother”. However, this connection between the two Marys, the two mothers of “Sons of the Father” whom they have watched die is emphasized in another, subtler way: the Greek text of verse 26, though it is typically translated “his mother”, instead actually twice says “the mother”. Normally in Greek, after the first reference to Jesus’s mother (η μητηρ αυτου, literally, “the mother of-him”), it wouldn’t be necessary to repeat the word αυτου (“of-him”) in immediately subsequent references to his mother. That is why scholars render the two “the mother” references in verse 26 as “his mother”. But, with two mothers mentioned in verse 25, Jesus’s and Lazarus’s – what is more, two mothers with several significant things in common, as noted – it is not so clearcut. Jesus could be telling Lazarus to behold his own mother, Mary Magdalene, or Jesus’s mother, or (and this is what I think) both mothers.

Quite conceivable is the possibility that the original text had the words “women” and “mothers”, in the plural form, and that the redactor either thought this was a grammatical error or, more likely, he fully understood that this was meant to refer both to Jesus’s mother Mary and to Jesus’s wife Mary and the Beloved Disciple’s mother, and so, wishing as always to emphasize Jesus’s divinity, he reduced the plural to the singular.

It is universally believed that Jesus is speaking to his mother when he says, “Woman, behold your son.” I believe that he is speaking to both mothers, affirming to each of the two Marys that Lazarus is still or henceforth her son. That is why he does not say, “Mother, behold your son,” or, for that matter, “Wife, behold your son.” Indeed, dying on the cross, he doesn’t have the breath to be long-winded! By saying γυνη, “woman”, or better yet the nearly identically pronounced γυναι, “women”, he encompasses both of these Marys with so much in common.

It is also universally believed that Jesus is referring to his own mother when he says to the Beloved Disciple, “Behold your mother”: he is requiring Lazarus to take on the duty of filial responsibility for his step-grandmother, his stepfather’s mother. Again I believe that he is referring to both mothers, asking Lazarus to take care of both of them when he, Jesus, is dead. The two mothers and the son hear this as Jesus realizing that this death may be final, that he may not rise again to take care of his wife and his mother, and their despair and grief is intensified in response.

Keep in mind how much these two Marys have in common, in their names and in their death-facing son-of-the-father sons, a close relationship highlighted by this couplet and by the use of “the mother” in verse 26 to refer to both mothers. What we can draw from this is that, when Jesus says to Lazarus “Behold your mother,” he is speaking not only about his own mother, but Lazarus’s mother, Mary Magdalene, as well. He is saying “Take care of my mother, and your mother my wife, when I am dead.”

Carrying out this final wish is the duty of a son, not a stepson, and so it becomes clear, in this Jesus’s dying instruction, that his words incorporate his formal adoption and recognition of his stepson Lazarus as his own son. Yigal Levin (“Jesus, ‘Son of God’ and ‘Son of David’: The ‘Adoption’ of Jesus into the Davidic Line” [JSNT 28.4; 2006]), makes it clear that there was then no adoption under Jewish law. Roman law allowed a more formal adrogatio, which needed several approvals in the Roman courts, and the much more informal adoptio, which was certainly the case here. It was usually between relatives, and was usually not a humanitarian gesture for the adoptee’s sake, but for the father’s, under hereditas nominis pecuniæ sacrorum, a phrase referring to the assurance of stability and continuity of the family honor; in this case, to ensure that Jesus’s responsibilities to his mother and wife were properly discharged. If Jesus was indeed a Roman citizen, as suggested on pages 376, he would likely have known about this means of adoption.

This adoption of Lazarus by Jesus, son of God, Messiah of God, emissary or ambassador of God, is also emblematic of God’s adoption of the people of Israel as his child, during the Exodus from Egypt. Thus, this adoption forms a parallel with the reference to adoption in the Prologue (see the commentary to 1:11-13).

Clearly this declaration at the moment of death was taken by Lazarus and the two Marys as binding (19:27b), and the acutely remembered and carefully transcribed recounting of this statement by Lazarus, the Beloved Disciple and eyewitness, in poetry no less, tells us just how seriously it was taken by them. In ancient times, the most important texts were in poetry, not prose – because poetry, by its nature, is more easily memorized and enunciated later, and thus can outlast such ephemeral documents as bills of lading and shopping lists, which were written precisely because they were unworthy of memorization. With his final breath of life, inhaled with great difficulty by pulling his torso up with his nailed wrists, then sagging down exhaustedly while exhaling, arousing new pain in his wrists, his very last inhalations and exhalations of the Spirit of God, and no moment to waste, Jesus was arranging for his mother and his wife to be cared for, and at the same time was acknowledging his stepson as his own son. This would have been a highly emotional and memorable moment for the two Marys, with Lazarus standing between them, and his other grandmother, Salome, also close by.

The text tells us (verse 27b) that after this event the disciple took her or them as his own mother(s). The pronoun αυτην can mean either “her”, in which case it is referring to Jesus’s mother, or “them”, in which case both mothers are meant. The preposition εις has many possible meanings; usually Bible interpreters mistakenly read it as saying “into”, and then they take the phrase εις τα ιδια as “into his own home”, with the word “home”, they say, unwritten but understood. The preposition εις clearly should be taken rather as meaning “as”, and the phrase as saying he takes her/them as his own mother(s). With the word “mother” recently written several times, the author had no need to repeat it again here, except if only to help two millennia of interpreters avoid the mistake just described. This interpretation is much more thematically united: Jesus commands the Beloved Disciple to take the two women as his two mothers, and this sentence, directly from the disciple himself confirms that he obeyed this final request of Jesus.

Also, this poetic “last will” of Jesus is again clearly meant again to establish a parallel between him and the greatest of the prophets, Moses and Elijah. Since these parallels are drawn several times in the early chapters of the gospel, this also forms another inclusio. The Torah has Moses, like Jesus, reciting poetry before his death (Deuteronomy 32-33), and the account of Elijah’s death (II Kings 2) has him likewise orating a kind of “last will”, giving Elisha his sacred powers.

As a result of all this, I conclude that this couplet originally read as follows:

He says to the mothers, “Women, behold your son.”
Then he says to the disciple, “Son, behold your mothers.”

The following would be absolutely perfect parallelism,

He says to the women, “Mothers, behold your son.”
Then he says to the disciple, “Son, behold your mothers.”

but the grammar of Greek and Aramaic would allow Jesus to address only his own mother as “Mother”, not his wife; besides, he calls his mother γυνη (gynē, “woman”), in 2:4, so this must be an inclusio that the narrative calls the two “women” here. What is more, Salome, Lazarus’s maternal grandmother is present too (Mark 15:40), so Jesus’s words could be taken as gracefully including her. Therefore, the first of these two is the one I adopt as the reconstruction.

Clearly here the redactor removed the offending word “son”, without replacing it with anything; the only option he had was “disciple” or “the beloved disciple”, both of which would sound odd if forced here into Jesus’s dying words. And he reduced “women” and “mothers” to their singular forms.

If this second couplet refers so evidently to sons and mothers, then the strong possibility follows that the original version of the couplet in verse 25 also used the same manner to specify the relationships involved:

His mother and the disciple’s mother,
Mary the wife of Clopas and Mary the wife of Jesus.

This would have perfectly set up the dual change in relationship that Jesus specifies to Lazarus and his mother: his stepson becomes his son, and his mother becomes his son’s mother. And Lazarus, as the eyewitness, confirms this dual change at the end of verse 27: “And from that hour the disciple took [ελαβεν] them [αυτην] as (his) own [τα ιδια].” The same Greek words are found in 1:11, to say that the Λογος “came into its own, but its own did not take it in,” so here, as an inclusio, it suggests that these three, Jesus’s family, have taken not only each other, but the Word as their own. The phrase τα ιδια is often translated “his own home”, with the word “home” understood, and that’s not necessarily wrong, but it is better taken to say that Lazarus took them both as his own mother – both Marys as his mothers, and also Jesus as his own father. At least here, the Word has been taken in by its own.

But all this would have been far too much of an affront to the dogma the new religion was developing, driving the redactor to change the “disciple’s mother” to “mother’s sister” and “the wife of Jesus” to “Magdalene”. The two couplets read perfectly together:

His mother and the disciple’s mother,
Mary the wife of Clopas and Mary the wife of Jesus.
He says to the mothers, “Women, behold your son.”
Then he says to the disciple, “Son, behold your mothers.”

which in Greek would be:

η μητηρ αυτου και η μητηρ της μαθητην
μαρια η του κλωπα και μαρια η του ιεσους.
λεγει τας μητρας γυναι ιδε ο υιος σου
ειτα λεγει τω μαθητη ιδε αι μητηρες σου

And, just in case anyone still should fail to see the poetry, the author placed immediately before these two couplets another couplet taken from the Tanakh (Psalm 22:18) of what is universally recognized as poetry:

They divided my garments among themselves,
And for my clothing they cast lots.

And then, in stunning chiaroscuro, immediately following this bouquet of poetry, the author gives us in terse prose the death of Jesus.

The Gospel of John as the Paraclete: Jesus’s Continuing Presence

.GOJ-front 2vol Ib

From the just-released new edition of The Gospel of John Restored and Translated, Volume II as published by Editores Volcán Barú available here.

In the following passage from the preface to his five-volume opus, Papias explains his own approach to establishing the truth about Jesus. Without doubt he was describing the historiographical method that his master John the Presbyter taught him, which means it is also the method John adopted in writing the gospel.

εἰ δέ που καὶ παρηκολουθηκώς τις τοῖς πρεσβυτέροις ἔλθοι, τοὺς τῶν πρεσβυτέρων ἀνέκρινον λόγους, τί Ἀνδρέας ἢ τί Πέτρος εἴπεν ἢ τί Φίλιππος ἢ τί Θωμᾶς ἢ Ἰάκωβος ἢ τί Ἰωάννης ἢ Ματθαῖος ἢ τις ἕτερος τῶν τοῦ κυρίου μαθητῶν ἅ τε Ἀριστίων καὶ ὁ πρεσβύτερος Ἰωάννης, τοῦ κυρίου μαθηταί, λέγουσιν. οὐ γὰρ τὰ ἐκ τῶν βιβλίων τοσοῦτόν με ὠφελεῖν ὑπελάμβανον ὅσον τὰ παρὰ ζώσης φωνῆς καὶ μενούσης.

And so whenever anyone who had followed the presbyters came along, I would ask carefully for the words of the presbyters, what Andrew or Peter had said, or what Philip, or what Thomas or James, or what John or Matthew, or any other of the disciples of the Lord, and which Aristion and John the Presbyter, disciples of the Lord say too. For I did not assume that whatever comes from books is as helpful to me as what comes from a living and persevering voice.

This quotation is not (as some have written) dismissing the value of books; certainly not when Papias wrote these words in a massive written work of his own. He is saying rather that when an actual eyewitness is still alive, still persevering in putting his vivid memories into words, again and again for different audiences, such a person deserves to be heeded more than a book, no matter how helpful the latter. He is saying that even the best of books are still of lesser value because they are indirect, coming between the student and the eyewitness descriptions, and that the eyewitness descriptions are superior because they are only one step away from the actual events themselves.

From the Presbyter’s historiographical approach (as mediated by Papias) we gain an insight into another matter that surely troubled John enough to call for the conference: if a book, no matter how good, is inevitably not as valuable as the account of an eyewitness, why should he put years into the solitary work of writing such a second-best rather than serving himself an eyewitness, using those years to tell as many people as he could about his experience of seeing and hearing Jesus? The answer he hit upon, as shall be seen, was not to write a book like any other, even a book as good as those by Herodotus or Plato or Homer – but to compose in book form the actual presence of Jesus. The logic is thus: if the gospel records the witness not of (just) human beings but of God, then the gospel records the truth of God, the absolute and objective truth, the perfect truth that mortal witnesses, even when they share and discuss their views together, can never fully reach. Since God is Creator, then for those who read and accept the gospel, the gospel creates for and within us the very presence of Jesus. To accept the gospel is to accept not only God’s truth, but to accept the Logos, to accept Jesus’s presence. As the Presbyter himself put it in I John 5:9-10:

ει την μαρτυριαν των ανθρωπων λαμβανομεν η μαρτυρια του θεου μειζων εστιν οτι αυτη εστιν η μαρτυρια του θεου οτι μεμαρτυρηκεν περι του υιου αυτου *και αυτη εστιν η μαρτυρια οτι ζωην αιωνιον εδωκεν ημιν ο θεος* ο πιστευων εις τον υιον του θεου εχει την μαρτυριαν εν αυτω ο μη πιστευων τω θεω ψευστην πεποιηκεν αυτον οτι ου πεπιστευκεν εις την μαρτυριαν ην μεμαρτυρηκεν ο θεος περι του υιου αυτου

If we receive human witness/testimony, God’s witness/testimony is greater. For this is God’s witness/testimony: that (God) has witnessed to / testified about his son, *and this is the witness/testimony, that Æonian life is given to us by God*. Those who believe God’s witness/testimony about his son have it within themselves; those who do not believe God have made him a liar, because they have not believed the testimony to which God has testified about his son.

To have God’s witness/testimony “within themselves” is John’s way of saying that those who experience the witness of God as a phenomenon become not just witnesses themselves, but committed witnesses, who have taken the experience into themselves. (Note that the phrase between asterisks is only found in one manuscript, the Codex Athous Lauræ (044 or Ψ), but, given its very Johannine reference to Æonian life, I lean toward the conclusion that it is original. Note for those who read Greek that I take του θεου in verse 10 as operating in possessive of both τον υιον and την μαρτυριαν.)

Modern historiography pays lip service to primary oral sources, but current-day histories rely mainly on previously written works, as any survey of published material will amply demonstrate. And modern historiography, when it does turn to oral sources, insists that the best eyewitness is dispassionate, perceiving and remembering facts without their being distorted by the lens of emotional attachment, free from subjective interpretation – in this case, spiritual understanding. The reader may have noticed that in this work I am unusual for a modern in not hesitating to rely on oral history, for instance what I heard in France about Jesus coming to Gaul in his later years, or about the continuing presence of Cathars.

The classical historian, on the other hand, would aver that to be dispassionate, supposedly “objective”, to lack emotional attachment to the event – that is, to not care about what one has observed, reduces one’s effectiveness as a witness. To the classical historian there is no difference between “disinterested” and “uninterested”, and both result in uninvolved and unreliable. The best witness, that historian would say, is one who is invested in the event, and thus has senses well attuned so memory can carefully store the event away. The best witness is one who not just cares enough about the event to remember it well, but cares enough about it to recount it again and again to various audiences, who therefore has had good practice at the craft of putting memory into words, which strengthens the recall and prevents the memory from fading away. Witnesses involved in the event, who participated in it, are commonly not just preferred bur required in traditional Jewish law. Those who signed a ketubah (marriage contract) and someone who saw the first faint crescent of the new moon, for instance, are not mere dispassionate observers but involved in the matter being adjudicated, and as such, the Talmudic scholars agree, are needed for their reliable testimony.

Quite the opposite from a witness unmoved by the event, the classical historian would recognize that the ultimate objective nature of the truth can only be known to a Being with a universal perspective, as George Berkeley pointed out. We humans, with our limited, subjective viewpoints, can never as individuals know the truth perfectly. The best we can do, says the classical historian and philosopher, is share our views with each other, in Platonic-style dialogues, each person seeking not (as moderns do when they discuss) to win the debate, not to prove his or her view correct and the others wrong, but, through listening, speaking, and reflecting, to contribute to the common quest, to get as close as humanly possible to the objective truth known only to God. (We can see here again why those who walked with Jesus, including the Presbyter, were so offended by Paul’s teachings: not only was he never an eyewitness to Jesus, but he refused to join with those who had observed and listened to Jesus to strive with them in the quest to come closer to the truth: instead, he insisted that they were wrong and that his interpretation imposed on the life of a man he never met were right.)

So it is that in Luke 24:32 and John 20:19-29, for instance, we are told that the disciples joined together in discussion of the events they witnessed, precisely in order to seek the truth together. One individual alone has a very limited perspective on the truth about something, but when more individuals who have a perspective at all on that something (i.e., are eyewitnesses to it) join with that individual in dialogue, the larger the perspective grows: it can never be universal, never objective, never absolutely correct, as is God’s perspective, but at least by adding more individual viewpoints to the dialogue it becomes larger, thus to the same degree closer to the truth. This is why the superior classical historian sought to listen to as many eyewitnesses as possible: not to decide which individual was right about a certain matter (and thus that the others were wrong), but – since these witnesses were likely not together in the same place engaged in discussion – at least within the historian’s own mind and even in the written work the historian could enable these witnesses to discuss the truth, as he reflects on what they said. As it is put in The Circle of Life:

Traditional peoples see time and place in terms of story. Everything around us is alive, and has its story. To exist, to live, is to create story: when we fall in love, when we have a child, and so on, we’re beginning a story, and the only way we can learn how the story is going to come out is by creating the story. The past, to the traditional way of thinking, is the stories that have been told and can still be told; the future is the stories that have not yet been told. Thus, this present moment is ceremony in progress, stories in the making. This moment now, with you holding this book in your hands as you read it, is your story-in-the-making. Some day to come you will remember reading this book. You won’t have this book in your hands, but you will remember reading something in it that really struck you, and what it made you think about, and what you did that you wouldn’t have done otherwise. This remembering will be for you a story, part of the greater story of your life. Death, in this view, is an ending not of life, but of a story – and other stories will always follow.

This issue was no doubt important to Papias because, as the Gospel of John demonstrates, it was crucial to his mentor John the Presbyter. The book, the gospel, that John wrote seeks to be something unique: to be much more than just a book of history like other books of history, even the best of them. It seeks to be more even than merely an indirect witness to Jesus, a mere record of oral recollections like other written histories. In addition to seeking to be itself a direct observer and describer of the events, telling the reader the story about them just the way a witness does, it seeks to be the event itself, such that we are not mere readers of a text that quotes witnesses about the event of Jesus, but that we become direct witnesses to Jesus himself. A perfect map of the world would be identical to the world and thus be the world itself; likewise, a perfect history of Jesus would be the event of Jesus himself; where humanity cannot reach such absolute truth, God can bridge the asymptotic gap and create a history that is what it describes. As stated above, the best witness is “invested in the event, and thus has senses well attuned and memory carefully storing the event away, … and cares about it enough to recount it again and again to various audiences”, which describes this gospel very well. For Jesus promises, in the gospel itself, that a new kind of eyewitness will come to the faithful; he speaks of it as the Paraclete (Παρακλητος), “the Spirit/Wind/Breath of truth … that will bear witness concerning me” (15:26), adding, “Whatever it hears it will speak … [it] will teach you all things and will remind you of all the things that I said to you” (14:26). That new kind of witness is the gospel itself. It is the event itself, the event of Jesus, and by attending to it we become the eyewitnesses to not so much the gospel but to Jesus himself.GOJ-front 2vol II

The modern sense of time is strictly linear: ancient events and people are divided from us by an unbridgable gulf of past centuries. For classical people that gulf could be breached in ceremony, uniting the present and past in kairos, uniting us with our spiritual ancestors in the “Eternal Now”; indeed, becoming spiritually one with them (cf. The Circle of Life). Still today the Passover Haggadah stresses that in sharing this meal we today are there with our ancestors as God brings them forth from Egypt (Exodus 13:14). And Jesus here shares the Samaritan Passover with his disciples and by extension us. Thus, after often comparing Jesus favorably to the ancient patriarchs, here Moses especially, whom this sacred meal invokes, is present at this climactic meal, in effect supporting Jesus, going with him to the cross – and when we read this gospel, the Paraclete, Jesus’s presence today, they are both with us now.

The Last Supper discourse helps to show that the Paraclete, the “Spirit/Breath/Wind of Truth”, is this gospel. It will not speak for itself (being a book, not a person), but what is written therein “it will speak”; it will take Jesus’s words and deeds and “declare them to you,” and “remind you of all the things that I said to you.” In all ancient literature this phrase the “Spirit/Breath/Wind of Truth” appears only in this discourse (14:17, 15:26, 16:13) and the Community Rule (3:18, 4:21,23) of the Dead Sea Scrolls; the phrase “the Sacred Spirit/Breath/Wind” (traditionally rendered “the Holy Spirit”) also is found only here (14:26) and likewise in the Community Rule (4:21). Later dogma turned it into a “person” in the Trinity.

The end of the gospel proper, verse 20:29, further supports the thesis that this gospel is the Paraclete, Jesus’s continuing physical presence in this world. John’s cognomen “the Presbyter” was applied by the movement’s early leaders to those like he who had heard Jesus preach and who became his followers as a result, but who were not among Jesus’s first and most central disciples. In concluding the gospel with this statement, therefore, the amanuensis is saying to us, “This gospel represents the man I saw and heard, and I believe. Now you have read this gospel; now you know exactly what I know: everything about Jesus. So now I ask you: Do you believe?

This gospel is the Paraclete, the reminder, the messenger. It is like Jesus himself an emissary from God. It is, in effect, the presence of Jesus. Jesus calls himself the truth (14:6), and says the Paraclete will be the spirit of the truth (15:26, 14:26) – his spirit. It gives us the teachings and signs that Jesus did. It shows us the wounds, as it were, as Jesus did to Thomas. And here at the end, miraculously, it gives us Jesus, speaking directly to us, to you and me, the reader.

In this the last verse of the gospel proper (before the Envoi) Jesus steps out of the narrative framework, outside the telling of the story, to address the reader directly. This is a stylistic technique that was not rediscovered for nearly two millennia, despite the provenance of the Bible putting this example in front of pretty much every Western novelist since. Of course, you the reader realize intellectually that Jesus cannot directly address you personally; you realize that this is merely a literary technique never otherwise used in scriptures, even the most erudite of them, such as Jeremiah and Second Isaiah, and, later, the Qur’an. But then you start wondering: Jesus could have said this; it is immediately followed (20:30-31) by a certification of the eyewitness, and then you are moved because the gospel is saying that Jesus knew the Λογος so well that he knew the Beloved Disciple would remember his words and some day dictate them to his amanuensis, and that he knew some day you, the reader, would read those words.

he technique is highly effective: you read it and see, in your mind’s eye, Jesus look up from his twin brother to you, look up from the page of the book to you, the reader, and speak directly to you. At this last verse of the story proper, this technique draws you firmly into the microcosm of the gospel. It causes the gospel – like a mirror that is a universal, for it reflects all things but shows us only one thing, ourselves – to show you yourself in the story. You realize that it is not just Thomas who is Jesus’s twin, but you yourself, the reader; Jesus, like Baudelaire, calls you mon semblable, mon frère. He is saying in effect, “You, reader, like Thomas, were not with me when I came the first time. You, reader, like Thomas, demand proofs. But hearken to me; this gospel is the proof. This gospel is my presence in your life. And you are hereby invited to see the marks from the nails in my hands, to see and to believe. You too are my twin brother, my Διδυμος, for no longer do I call you ‘disciple’ but ‘brother’ (15:15) or ‘sister’, and I will come to you if you keep my word (14:23). You are invited to be reborn, this time of the Spirit/Wind/Breath of God. So blessed are you if you have not seen and yet believe, for, through this gospel, you have seen – and you too can be a gospel, a witness (μαρτυριαν), a messenger (αγγελος), a prophet (προφητης, literally, someone who speaks for another) to my words of truth about the Λογος.”

As the Introduction [to this translation] suggests, this gospel was written after Jesus was no longer on the earth, and at a time when those who had seen and heard him were dying, often at the hands of Rome. This forced the movement to change from a widespread belief that Jesus was “returning soon”, such that there was no need to write anything more than letters to answer issues of the moment, to a recognition that the world was going to continue on as it always had, and thus that there was a need to write down eyewitness recollections of Jesus’s deeds and teachings before these eyewitnesses had all died.

These final verses of the gospel proper make this clear; the gospel was written to be an “eyewitness” (the Paraclete) that cannot die but continue to testify to the actual, observed, words and deeds of Jesus, such that the message from God that he so eloquently delivered might keep on being delivered. Indeed, it is a miracle that we have this ever-living Paraclete gospel, since it could have been destroyed when John was arrested, or confiscated in Pontus, or edited into a dutiful mimic of the later dogmas, or a thousand other things. But we do have it, and so at least in this sense, Jesus is wrong in 12:8, since, through this gospel, we do always have him with us. This gospel, therefore, is presented to us as his continued presence on earth; it is like a living thing; that is why, as noted above, it is an aleph, a finite thing that contains in microcosm the entire universe. Parenthetically, the Śri Guru Granth Sahib, the scripture of the Sikh faith, also is a self-testifying document that states it is its own witness, rather than any guru or holy spirit.

To recapitulate a point made in the commentaries to the Prologue: Jewish mysticism speaks of the physical and spiritual Torah as a pair of complements. The former, the five books in their form that is written on paper, is a physical approximation or refection of the latter, the spiritual Torah, which is ineffable and eternal, in the Æon, the wisdom of God that God consulted when preparing to bring this universe into being (as discussed in the commentaries to the Prologue). The parallel is like that of the body to the spirit: the body needs the spirit in it to live, and the spirit needs the body in order to manifest itself effectively in this physical world. This pairing of physical and spiritual Torah is similar to the teaching about the physical and spiritual Chanunpah Wakan (Sacred Pipe), as discussed in The Circle of Life.

The tale is told about the deeply revered Baal Shem Tov (Rabbi Yisroel ben Eliezer) dancing first with a Torah scroll in his arms, andGOJ-two vol back vol i lulu then with his arms empty. A disciple observing this said, wisely, that he had “put aside the physical Torah and taken up the spiritual Torah.” In this manner, as we read the last words of the gospel, we are implicitly asked by Jesus himself to put aside the physical gospel and take up the spiritual gospel with our minds and hearts and souls:

“You [ i.e., Thomas] believe because you have seen me. Blessed are those who have not seen and yet believe!”

Jesus’s words during the Last Supper and again to Thomas here mark this gospel as the Paraclete, as not just a book but much more as the living presence of Jesus, such that this verse tells us who did not see him “in the flesh” that we can witness him in the spirit, by way of this gospel. Therefore, this gospel can be seen, just like the Torah, as a book (the physical Paraclete) or as the sacred presence of Jesus (the spiritual Paraclete). The physical Jesus, like the physical Torah, made it possible for him to teach and heal in this physical world, and the physical gospel in the same way can be printed and distributed throughout the world, such that anyone can read it. The spiritual Jesus, like the spiritual Torah, is his presence in the minds and hearts of the faithful, and the spiritual gospel is essentially identical to the spiritual Jesus in this way. The physical Torah/Jesus/gospel is the way the spiritual Torah/Jesus/gospel gets around in this world. For those who have “not seen” Jesus, they can read this gospel, and, by the time they get to this final verse thereof, they have seen him.

But, as noted before, many people saw and heard Jesus during his ministry – only a relative few observed and listened to him, only a relative few had their lives change as a result. For the rest he was just another man spouting religious teachings. It is the same thing with this gospel: many millions have read it over the millennia, and a large part of that many believe their lives are different as a result of reading it, but the fact is they have only accepted the worldly dogmas invented by other human beings. Only a few will not just read but attend to this gospel, such that their lives change, and as a result they follow the Logos and become fully a part of the Æon. For them, this is not a book, or even an inspired spiritual work; it is Jesus looking at them and saying, “Blessed are you because you have not seen me and yet you believe.”

The Wind and the Dove Descend upon Jesus

The Wind and the Dove Descend upon Jesus:
Multiple Meanings in John 1:32

From the new edition to be published in the second week of March 2014 of The Gospel of John Restored and Translated, Volume II as published by Editores Volcán Barú

This verse is loaded with multiple meanings. The Greek word πνευμα means “wind”, “breath”, and “spirit” as do the Hebrew and Aramaic words behind it. The verb καταβαινω (“to descend”) appears here significantly for the second of three times in the opening episodes, clearly to bring back to mind the opening Prologue (3:13) and to anticipate Jesus’s concluding statement to Nathanael (1:51). The word ουρανος means both the physical “sky” and “heaven” (in the spiritual sense) as is the case in every language I know except English. Thus John is talking at the same time about a wind out of the sky, God’s breath exhaled down from heaven, and God’s Spirit descending from heaven.

The verb θεαομαι (theaomai) is related to our modern word “theater”; it is more specific than the English verb “to see”, more exactly meaning to observe something intensely but passively, as a spectator watches a performance on stage. In classical literature it carries the strong suggestion of being deeply affected by what one is observing. This verb anticipates a point introduced in the next paragraph, that in this gospel John never actually administers to Jesus his immersion ceremony. If he had, the text here would say, “As I was immersing him…”, or, “As I was about to immerse him…” One gains the sense from the phrasing here that John was not close to Jesus as this miraculous event occurred; he may not even have been in the Jordan but still on dry land watching this profoundly moving drama with helpless awe.

Unlike the self-administered mikvah, John’s immersion ceremony was one that he had to execute himself. Hints of may survive in the ceremony done in John’s name to this day by the Mandæans of southern Iraq (cf. Sabian Mandaean the Secret Root of Christianity, by Salim Berenjie). Rabbi Ben Abrahamson says the Sabian Mandæans were originally Notzrim, a group John and Jesus both appear closely associated with, but changed their designation in the face of rejection by orthodox Christians “to continue to live under the protection Allah SWT gives to the ‘people of the book’”.

John’s declaration does not say he actually performed the immersion ceremony for Jesus. Scholars usually say the author left it understood that it was done. But I ask: How he could have performed it if he felt unworthy even to untie Jesus’s sandals (1:27)? I think it was not done, because a miraculous event superseded it, and John was frozen into immobility. That event is bound up in a close reading of the verse. The word περιστερα (peristera, “dove”) that we find in the text is virtually identical in pronunciation to another word, πρηστηρ (prēstēr, “whirlwind”), especially as declined in this verse, περιστεραν/πρηστηρον (peristeran/prēstēran) – the consonants are exactly the same, which would jump right out at Lazarus and John the Presbyter, whose first languages were Hebrew and Aramaic, which at the time were written with only consonants. It is possible
that this is a scribal error on the part of the amanuensis or else extremely early in the subsequent history of the gospel text, since the words for “dove” and “whirlwind” are quite unlike in Hebrew and Aramaic. But I reject this possibility, and also the possibility that this was a “correction” by the much later redactor to make this gospel conform to the three Synoptic gospels, since as is argued below both words would be very appropriate here.

This verse has always been understood to be saying one thing came down: a wind in the form of a dove. But I believe two things happened at about the same time – that both a whirlwind and a “dove” descended on and remained with Jesus, as I shall now explore.

Any first-century Jew reading this text would not need to be reminded of Elijah’s whirlwind as a spiritual father of this event, but the dove connection would not have been quite so clearly evident; I think this is why the Presbyter added a phrase saying that just the wind came down, so also did a dove. John testifies that he saw the πνευμα come down out of the sky/heaven. The word πνευμα can mean “wind”, “breath”, or “spirit” depending on context, and the context here, that it came down from the sky, tells us the intended main meaning is “wind”. (Still, to remind the reader of these other meanings, the translation retains all three.)

We know from experience that a wind out of the sky sometimes does take the form of a whirlwind; the text clearly makes sense with that reading. The usual reading, that a wind came out of the sky/heaven in the form of a dove, makes little sense. A wind can no more take the form of a dove than it can take the form of a barn or a banana or the Beatles. However a wind can take the form of a whirlwind. Besides being nothing like a mighty gale, a fragile dove would not be able to withstand a whirlwind out of the sky, let alone safely alight on Jesus and manage to stay on his shoulder, without getting blown away. In any case, the very next verse, 33, seals the matter by expressly saying the πνευμα, the wind (and not a dove), descended onto Jesus.

This provisional reconstruction of the author’s original intent also makes contextual sense. Immediately before this episode is the Prologue, which contains significant references to the Breath/Wind/Spirit of God that moved across the surface of the waters in Creation (Genesis 1:2) and that was breathed into Adam’s nostrils (Genesis 2:7). The conversation with Nicodemus, which picks up this theme, comes soon hereafter. And this passage forms an inclusio (that is to say, it is in A-B-A symmetry) with 19:30, in which Jesus breathes out the wind/breath/spirit within him for the last time as he dies, and 20:22, in which Jesus exhales on the disciples and says “Receive the πνευμα άγιον” (the sacred breath/spirit/wind – equivalent in Greek to [ רוּחַ Ruach], the Breath/Soul of Life); by exhaling he proves he is alive, but also with that breath he heals them, he blesses them, and he fills them with the Name and Spirit of God.

I wonder if John the Presbyter’s focus here on the whirlwind, πρηστηρ, led to the Mediæval Prester John legend.

YHWH was clearly conceived of anciently as a storm god, as imaged in Psalm 2l, especially verse 3, in which the roar of YHWH’s voice is over the waters just as was the YHWH’s breath in Genesis 1:2, and as is the whirlwind here. The Israelites arrive at Mount Sinai and, on the third day, there is darkness and storm (Exodus 19:16), and Moses comes down the mountain to deliver the Ten Commandments (Exodus 20). Those three days parallel the three day revolving around John the Immerser in chapter 1, with this day being dark and stormy. Again, obviously, an association is being drawn with Moses.

Any first-century Jew reading this account of a whirlwind hovering about Jesus would instantly think not only of Genesis, Exodus, and the Psalm, but also of Isaiah 11:1-2, which says the wind/breath/spirit of God will rest upon the expected Messiah. And a whirlwind resting on a prophet at the Jordan River (1:28) would also immediately call to the mind of that reader, as it clearly did the delegation that came to ask John questions (see the commentary above to John 1:20-21), the story of Elijah, also at the Jordan, transferring his prophetic power to Elisha (II Kings 2). Elijah strikes the river with his rolled-up mantle and the waters part, echoing the story of Moses, to whom this gospel often compares Jesus, likewise parting the waters. After Elisha asks for a double portion of Elijah’s spirit, a chariot and horses of fire appear, and Elijah is taken into heaven in a whirlwind. Except for the mantle and the chariot and horses of fire, everything matches up. An older prophet (Elijah/John) nearing the close of his ministry ordains the beginning of the ministry of a younger prophet (Elisha/Jesus) who has a double portion of the older one’s spirit; the River Jordan is passed through or entered into; and a whirlwind comes from heaven. One pertinent difference is that the whirlwind takes one waning prophet, Elijah, to heaven, but not John, since he is to die at Herod’s hand; rather, the whirlwind comes down to anoint Jesus, evidently conferring on him something of the nature and spirit of Elijah as it did Elisha. This whirlwind is the presence of God, the voice of God, the breath of God, which Moses only saw after it had passed by and it was safe to leave the cave where he was hidden.

This whirlwind is ֶאְהֶיה ֲאֶשר ֶאְהֶיה (“I Am and Will Be What I Am and Will Be”), it is God’s name. Occasionally God confers the rare honor of being “taken up into heaven”; II Kings 2 aside, Genesis 5:24 is also interpreted to say the same of Enoch, and it is generally believed that Moses too was taken up into heaven, though there is nothing to say so in the Torah. This gospel suggests this was going to happen with Jesus too (cf. 6:62 and 20:17); certainly, in the theology of Jesus as presented in this gospel this would further validate his status as Messiah. (Much later, the Ascension of Jesus would become church doctrine, but with an entirely different import; it is fancifully described in Luke-Acts and in a late addition to Mark.) The Talmud often speaks of the spirit/wind/breath descending from the sky/heaven to anoint the Messiah (e.g., Test. Levi 18, Test. Judah 24:2). The storm here returns as an inclusio during the crucifixion, as discussed on page 915. All in all, the gospel is drawing a strong comparison between Jesus and both Elijah and Moses, clearly telling us the gospel is directed at least at a Jewish audience.

As presaged above, there are at least two obvious conclusions. One is that the amanuensis meant to write the Greek word for “whirlwind” as he was taking down the Beloved Disciple’s spoken reminiscences, but accidentally wrote the similar Greek word for “dove”. The other is that this was a deliberate change effected later by the redactor of this gospel, to bring it into conformity with the by-then-published Synoptic gospels. Those three gospels all feature (rightly or wrongly) a dove; since Matthew and Luke based their tellings on the version in Mark, we can conclude – if in reality it was a whirlwind that visited itself upon Jesus at his immersion – that the scribal error occurred in the early stages of composition of Mark’s text, and Matthew and Luke simply repeated the mistake, and then John was edited to conform to the other three.

A third, less obvious conclusion requires us to put aside two thousand years of assumptions about this text and read it afresh. The Greek adverb ως (hōs) has in this text always been taken to mean “like”, to say there is one thing, the wind, which takes on the form of another thing, a dove; but ως, as noted in standard references like Strong’s, can also mean “just as”, “in the same manner as”, which here would say there are two things that have something in common – that the wind and the dove both came down to Jesus and remained on/with him. The Aramaic adverb ( ܐܝܟ, hayk) in the Curetonian Gospels text, usually translated in this verse as “like” as is ως, also can take this latter sense, as noted in standard dictionaries such as Jastrow’s.

The double entendre of πρηστηρ/περιστερα, typical of the Presbyter’s style, is only possible in Greek, since the Aramaic words for “dove” and “wind” are considerably different, but the latter text still can be clearly read as saying both the wind and dove came down to Jesus.

Since this reading clears up the issue of how wind can take on the totally unlike appearance of a dove, my translation presents these two meanings, such that both the whirlwind and dove come down and remain with him. This double entendre analogy is well-rooted in the Tanakh, in passages that would have occurred to any first-century Jew. The Talmud and Dead Sea Scrolls both offer an analogy that conjoins both parts of the double entendre, comparing the ruach of God that moved over the surface of the waters in Genesis 1:2 to a female dove: Shimon ben Zoma in the Babylonian Talmud Chagigah 15a, for instance, says that the ruach hovered over the waters in the way a mother bird hovers over her young without touching them (though he was criticized for this analogy, whereupon he was so mortified that he instantly dropped dead). John Milton, who took much of his material from the Talmud, put it thus (Paradise Lost, I, 17-22):

… Thou O Spirit …
… Thou from the first
Wast present, and, with mighty wings outspread
Dove-like satst brooding on the vast Abyss
And mad’st it pregnant …

In many other passages the common thread is their portrayal of the dove as seeking out a sanctuary from one’s enemies in the wilderness, a theme common to John, Jesus, and this gospel. In Genesis 8, the dove guides Noah out of the torment of water and wind to dry land, as, so I will suggest below, Mary does here. Psalm 55:6-8 refers to a dove flying away to safety, out of the dangerous whirlwind. Jeremiah 48:28 urges one to imitate the dove, living in safety among the inaccessible crags. Psalm 11:1,3 similarly has the psalmist upbraid his advisors: “How (can you) say to my soul, ‘Flee (as) a bird to your mountain’? … If the foundations are torn down, what do the righteous do?”, which for Jesus would be a salient question: How can Mary flee back to the Samaritan community at Mount Gerizim for safety if that place is in danger? In 2:19 he will speak of the foundations of the Jerusalem Temple being pulled down.

And the most significant reference to a dove: the Shulammite, the beautiful woman in the Song of Songs, which this gospel associates with Mary by way of frequent paraphrases from that work, is often compared in the Song to a dove. In Song 2:14 the man asks the woman, whom he calls his dove, to show herself in the concealed place along the steep way – the landscape described in that verse is one that the eyewitness and amanuensis would have agreed describes accurately this rock-strewn, craggy countryside where John was immersing people, which Gulielmus Tyrius described as also abounding in what the locals called dragons, which he defined as “hidden passages and windings underground”. Visitors to the region today will find it continues to be full of concealed places along steep ways. This verse in the Song of Songs suggests the possibility that the whirlwind and the dove could both have been present at the immersion – that would be the case if the dove, the beloved, “showed herself in the concealed place” in the form of Mary, called the Magdalene in the Synoptics. This famous cognomen may indeed refer to doves, as is discussed in the essay on page 406. Every time she appears in this gospel the text includes references to the beloved woman, the “dove” of the Song of Songs.

The whirlwind could literally have come down from heaven and remained on Jesus, and the “dove”, Mary, could also have come down from the shore and helped Jesus, likely a bit disoriented by the frigid currents and fierce wind, out of the water, and “remained” with him – remained forever, as his wife. This helping Jesus from the death- waters is an inclusio-reversal of Jesus guiding Mary out of the darkness of his tomb into the dawn light at the resurrection. As at the resurrection, Simon and Lazarus, at present John’s disciples, are here but ineffective. Everyone else watches helplessly as the whirlwind descends on Jesus in the frigid turbulent current, thinking that they about to see a man swept away to his death. But she knows what to do; she enters the water – and the whirlwind ceases and she guides him to shore, just as the wind ceases when Jesus enters the boat in 6:21 and he guides the disciples to shore. In her first appearance in this gospel Mary is portrayed as a κοινωνος, a co-Messiah with Jesus.

The presence of the Breath/Wind/Spirit tells us that God is in this scene in the aspect called in the Tanakh YHWH (the proper pronunciation of this name being an exhalation). The Prologue, as we have seen, evokes from its first words the creation stories that begin Genesis, and GOJ-front 2vol Ibthat theme continues here. Where Elohim created the first human in Elohim’s own image, as a hermaphrodite, comprising as one both masculine and feminine (Genesis 1:27), it was YHWH who then split this first human into two, a man and a woman (Genesis 2:21-22). Here, however, the whirlwind-presence of YHWH begins the process of reversing that separation, driving together this new Adam and Eve, Jesus and Mary, such that, by the end of this gospel they will be again completely one flesh (Genesis 2:24) in Elohim’s image. Strengthening the view that Mary is present in this scene is the clear inclusio between John, the first to declare publicly Jesus as Messiah after his symbolic death-and- resurrection in the Jordan (1:43), and Mary, the first to declare publicly Jesus as Messiah during his ministry (4:29; John only discusses Jesus as Messiah with certain religious officials, and the disciples only privately, in chapter 1); she is also the first to declare him Messiah after his literal death-and-resurrection (20:18). Moreover, there is an inclusio inasmuch as here Mary watches while Jesus enters the water, and again when he dies on the cross (19:25), and as here she runs to help him from the river waters, and again runs to him at the resurrection. There is another inclusio: Jesus is reunited with Mary in a garden after arising from the dead in chapter 20, just as he will be reunited soon after this immersion scene with this woman, at a gardenlike spring in chapter 4. And the whirlwind here is mirrored by suggestions discussed below of a wind and storm at the time of the crucifixion. With so many clear correspondences being drawn between John and Mary, the possibility that Mary was present at Jesus’s immersion must be considered.

It will be established below that Lazarus was Mary’s son and at this time a disciple of John. If so, then Mary could have come from Shechem to visit her son, who at the time of the immersion would have been there to witness it. Mary may even have come to be herself immersed by John, to recollect her Jewish heritage after serving as a Samaritan priestess, to make herself Jewish-kosher, to have her past “washed away” through the immersion. If so, then not only Jesus but Mary too would have been naked for the immersion, as was customary. Logion 107 in the Gospel of Philip says we are to undress before we “go down into the water” such that we may be “clothed with the Living Water”). So too does the Diataxis [Ordinances] of the Holy Apostles (more commonly called “The Apostolic Tradition” or the Anaphora of Hippolytus of Rome), at 21:1-5, which in recording the baptism rite of the early 300s in the Eastern Church, very likely the practice in John’s Asian churches as well:

At the hour when the cock crows, they shall make prayer over the water. The water shall be flowing through the baptismal enclosure, or pour into it from above where there is abundant water; if water is not abundant, use whatever water is available. They shall then remove all of their clothing. The children shall be immersed first. If they can speak for themselves, they should do so; otherwise, their parents or other relatives should speak for them. Then the men are immersed and, last, the women, after they have first unbound their hair and put aside their gold and silver ornaments that they are wearing. Let no one take any foreign object with him down into the water.

And, needless to say, this is also still today the practice in the mikvah. The mikvah, like this early Christian baptism, was intentionally celebrated as a birth ritual and we are all born naked (Job 1:21). Jesus’s nakedness in this scene forms an inclusio with his being nearly so to wash the disciples’ feet (13:3-12a), and his complete nakedness on the cross (19:23-24) and at the resurrection (20:6-7), when he was spiritually reborn and spiritually remarried to Mary. She would probably have been nigh naked herself at the crucifixion, and certainly at the resurrection, since the tradition then was for a grieving person to rend his or her clothes into pieces. That increases the sense of an implicit eroticism to this scene of a man and a woman naked together in the water, which parallels the implicit eroticism at the spring in Samaria and forms an inclusio with the clear eroticism at the resurrection (see the references under “eroticism” in the final index).

It is possible that Mary was assisting John in the immersion rites; as a former Temple priestess this would be a familiar role for her, and John would be known to her if, as I think, her sister Martha was the wife of his son Simon the Rock. Thus, she may have helped Jesus and others there for the ritual to undress, and to untie his sandals, the very act that John felt he could not do himself (1:27), and to throw around him a fresh white linen robe afterwards. Thus too she was quick to respond, going to Jesus in the wild current and wind to rescue him when everyone else was frozen. If, as suggested above, John’s immersion ritual was preëmpted by a miracle, a whirlwind descending on Jesus, then John may never even have entered the Jordan to do the rite! – and a second miracle, a dove, Mary, descended on Jesus in the Jordan to bring him to shore. If Mary undressed and reclothed him in this scene, there is an inclusio with her coming to the tomb (20:1) to undertake the wifely responsibility of tohorah, the ritual purification of a body by undressing it, washing it (equivalent to the immersion here), and then reclothing it in a fresh white takhrikhin (linen wrapping). And if the great preacher John felt unworthy of unlacing Jesus’s sandals and helping him to undress, and these tasks fell instead to Mary, then Mary must already have been in a very special capacity on GOJ-front 2vol IIbehalf of John. The Samaritan Temple on Mount Gerizim had had a dove image for veneration, and though the Temple was destroyed it or a replacement may still have been on display in Mary’s time, as suggested by the Talmud (Hul. 6a) – in fact, the dove image originally worshipped there was reportedly the idol buried by Jacob under the oak here at Shechem (Genesis 35:4; Tosafot Ḥul. 6a); it could be that it was found and put back on display. Also, while as noted above the Aramaic words for “dove” and “wind” are quite unlike, the Aramaic word for “dove”, ( ܝܘܢܐ, yawna), is so similar to John’s name in Aramaic, ( ܝܘܚܢܢ yawhnn) that it could have been as a feminine variant of the name; though no such variant has been found in early writings, that does not exclude the possibility. The two words are not quite as close in Hebrew, in which “dove” is ( יֺוָנה, yonah; also the name “Jonah”; no surprise, the tale of Jonah is yet another dove-resurrection connection) and John is ( יוָֹחָנן, yochanan). The meaning of John’s name, “God has been gracious”, has nothing to do with doves, though note that the etymology of yawna is unknown, so the possibility of its being related to yawhnn cannot be firmly ruled out. Still, Lazarus and/or John the Presbyter could have noted the phonetic similarity as they worked out the double entendre they adopted in their original Greek text – or, possibly, Mary was called yawna because of her putative role as John’s assistant; indeed, this might be the root of her Synoptic cognomen “Magdalene”; cf. pages 409-10. Doves were often used as government, commercial, or military messengers, and, writes Rabbi Ben Abrahamson, as a means of divination of the “word from heaven” for the Notzrim, a religious sect embracing the Essenes, with whom John and Jesus may have been aligned.

The Gospel of Philip may provide support for this possible involved presence of Mary at Jesus’s immersion. This noncanonical gospel, more of a reflection on Jesus’s life and teaching than a narrative gospel, was apparently written by Philip the Evangelist, not to be confused with the apostle; he was known to John the Presbyter, and like him one of the larger group of disciples who followed Jesus. Often wrongly labelled Gnostic, the gospel is theologically and imagistically not far from the Gospel of John. At logion 82 it closely associates immersion, resurrection, and marriage in terms of the reconciliation of male with female in the image of Elohim – a theme that will come up several times in this work: [This website will not reproduce the Coptic original text.] “The immersion has the resurrection [with] the reconciliation coming into the bridal chamber; yet, the bridal chamber is more exalted than these. … One will never find its like.” And it may be speaking of John (as the friend of the bridegroom; cf. John 3:29) and the disciples (as the sons of the bridegroom; Jesus often addresses them as his children; at least some were in their actual childhood) when it says the nakedness of the bride may only be seen by her parents, the friend of the groom (here, the Immerser) and the groom’s sons (here, the disciples) (logion 131). Note also that Mary’s mother Salome was among the women at the tomb according to Mark 16:1. [This website will not reproduce the Coptic original text.] “Let her [the bride] come forth and be revealed only to her father and mother with her, before the friend of the bridegroom, [and] before the sons of the bridegroom.”

In the much-debated fragment from the so-called Gospel of Jesus’s Wife Jesus not only calls Mary “my wife” (tahime), but says “As for me, I dwell/exist/live with her in order to […] an image […]”. The verb [Coptic] suggests “I live with her” in three senses: the ordinary sense of cohabitation, the higher sense of spiritual union, and the highest sense, of the vitality in all things that vivifies life. Thus, Jesus is probably saying his marriage to Mary is part of the Messianic image he hopes to convey; applied to the immersion, their meeting at his symbolic death-and-resurrection in the river is perfectly matched by their meeting anew after his very real death and resurrection.

Doves in this part of the world are not white, as in European paintings. More properly called turtledoves, they are buff on the breast, with gold-grey-brown wings. They are migratory, coming to this land from Africa in early spring (Song of Songs 2:11-12) and returning thither in August; curiously, Mary only appears in this gospel in Acts One and Four, which take place in the spring, and not in Acts Two or Three, which take place in October and December. Their coming from Africa is also reminiscent of the possibility (discussed on pages 408-09 and elsewhere) that Mary may have been a priestess in Egypt. The turtledove’s arrival coincides with the fierce spring wind best known in the West by its Arabic name, ( خمسين khamsin, written as חמסין in modern Hebrew), which in Biblical times was called (רוחַקדים ruach qadīm, “east wind”). This dual arrival of the dove and the wind could in fact have suggested the metaphor of πρηστηρ (wind) and περιστερα (dove) at the immersion.

Why the dove imagery? Because it tells the informed reader that Mary is there with Jesus: in this first episode of the gospel this is the first appearance of the divine couple, the Messiah and the Priestess, the whirlwind and the dove, the Spirit and the Bride (Revelation 22:17). Dove imagery was at the time universal in the spiritual traditions of the eastern Mediterranean, and it vividly supports the identification of Mary with a dove. James A. Montgomery (in The Samaritans: The Earliest Jewish Sect) discusses the oft-cited belief that the then considerably eclectic Samaritans worshipped a dove on Mount Gerizim, where Mary was a priestess. He eventually dismisses it, mistakenly, since indeed John Hyrcanus’s stated pretext for destroying the Samaritan Temple in 110 B.C.E. was its dove imagery, but yet he speaks approvingly of other scholars (Selden and Ronzevalle) who associate the dove cult with the goddess Semiramis and the Ashima mentioned in II Kings 17:30. Donald A. MacKenzie (in Myths of Babylonia and Assyria) discusses the close connections between Semiramis and doves in the myths about her. Her Assyrian name, Sammu-rammat, derived from Summat (“Dove”), signifies “The Dove Goddess Loves Her”. In the most ancient form of the myth, says MacKenzie, she was turned into a dove and took flight into heaven in that form. He adds that Robertson Smith demonstrated that the dove was of great sanctity among the Semitic nations, often closely associated with love, also symbolizing innocence, gentleness, and holiness. The Greek Aphrodite was also associated with doves, signifying love. Like περιστερα (“dove”) and πρηστηρ (“whirlwind”) in Greek, amenu, “dove” in Egyptian and Amen, the Egyptian god of wind, are near homonyms. And the dove Mary’s name comes from Mari-Amen, “Beloved Amen”, the original name of Moses’s sister Miriam, who watched as he was drawn, sacredly reborn, out of the Nile by the pharaoh’s daughter as she ritually bathed, no doubt naked: as Mary, also surely naked, here draws Jesus sacredly reborn from the Jordan. The mother of this pharaoh’s daughter was Ahmes (“Daughter of Amon”). In being reborn from the river, Moses is renamed as a god’s son and Jesus is anointed as God’s son/Messiah. So ultimately in the doubles entendres of πρηστηρ and περιστερα, amenu and Amen, we have as one the two aspects of Elohim, God and Goddess, arriving to anoint this the first encounter of Jesus and Mary.

The episodes at the Samaritan well, in Cana, and of the resurrection will continue this theme of joining together humanity, originally severed into male and female in Eden, to create the united male-female being, Jesus and Mary, that reflects the image and likeness of Elohim. The meticulously constructed inclusio nature of this gospel just about requires the presence of Mary at the immersion: symbolic spiritual rebirth was for Jesus (at least as presented in this gospel) was all about undoing the sin of our first forebears in Eden, such that male and female can be rejoined. This major theme of the gospel, discussed at length in the commentaries on the resurrection, forms an inclusio with this symbolic spiritual rebirth, though that one is not symbolic but literally a rebirth from death; Mary was present at his death and resurrection, and so for literary reasons the author must want us to conclude that she was present at this immersion too: his spiritual rebirth in both places is the rejoining of Eve with Adam, so Mary can be joined with him in both places.

If the theory that Mary was actively present at the immersion is true, then why was it not clearly stated in the gospel? It may be the redactor found it unacceptable (for the clear suggestion that Jesus was involved with this woman) and excised it; I reject this possibility because the redactor let stand other similarly “romantic” passages with but minimal changes. It may be that the amanuensis meant to make her presence more specific in the telling of the immersion, but never got to it; we know that the original version of the gospel was never completed. The compositional problem might have been that the author put the description of the immersion in the mouth of John (even though Lazarus the eyewitness was certainly there), and either an expansion would have to be still in the first person or else a new narrative strand based on Lazarus’s memories would need to be inserted. And it may simply be that the gospel author decided what he had written was clue enough for the intelligent reader to recognize and interpret correctly what transpired – and it is only we modern gentiles who miss the clue that would have been instantly clear to any reasonably literate first-century Jew, since we do not share the necessary symbolic Weltansicht, and since the lenses of our comprehension are clouded by two thousand years of errant dogma.

Should this hypothesis of Mary at the immersion be correct, it is not hard to theorize how it would have been recounted in this gospel. As discussed in the Introduction, many scenes in the gospel appear to be sketches that were going to be expanded later, but, alas, there was no opportunity to do so probably because of the Roman decimation of Jerusalem in 70 C.E. John’s narration of what happened (1:31-33) is complete as it stands, but it could have been slightly extended, to say that after the whirlwind churned up the water in a miniature inundating storm of water (a parallel to the Flood [Genesis 7:17-23], in which everything died, just as this immersion was a symbol of death, and after which a wind descended from heaven [Genesis 8:1, the Hebrew wording of which is close to Genesis 1:2]), the dove came down to the waters in the person of Mary, to guide Jesus to dry land (Genesis 8:8-12), to draw him forth from the waters (Exodus 2:5). If Mary was there to be immersed herself, and/or to assist John, then likely Jesus took notice of Mary, whom Lazarus would have told his new teacher was his mother, and/or whom Simon the Rock (Peter) said was the sister of his wife Martha. This would have led to the arranging of their meeting at the spring in Shechem, the next episode. This is of course speculative, but it would connect this scene closely with the next, at Jacob’s Spring, and explain why this scene is followed immediately by that one, and then the wedding. It would also help explain the disciples’ surprise in 4:27; she is not entirely unfamiliar to them!

Les Petites Heures de Jean de Berry, a late 1300s “book of hours” illuminated manuscript, provides a fascinating footnote discussed by Ariadne Green in her book Jesus Mary Joseph. It includes two very similar depictions of this immersion scene, however in one there is no descending dove overhead, but rather a lamb putting its forepaws on John’s arm. This may be a reference to John calling Jesus “the lamb of God” (1:36/29), and it may record an old tradition that Mary was at the immersion: the Aramaic word for “lamb”, ܐܵܡܪܐ, amara) is close to her name in Aramaic.

The Shame of New Testament Scholars

I have been asked by a reader to comment on the relationship between a scholar’s personal faith and his/her scholarly work. This is a very tricky and often touchy subject. Some scholars, such as Elaine Pagels and Bart Ehrman, hint at their current personal faith-views in their writings, but never actually confirm their nature (so far as I have noticed). Others, such as James D. Tabor, seem to me, if I have it right, to prefer to discuss their faith-views on a private basis, not publicly. I hate to generalize, but I think most mainstream scholars are more or less along these lines, hesitant to discuss publicly their personal faith, or lack thereof. When they do describe their personal faiths, mainstream scholars often sound hesitant, even apologetic for their stances.

On the evangelical and charismatic end of the spectrum, it is quite different: many — probably most — scholars proudly proclaim their theological views. Their theological views, with fanfare and without apology, are prominently displayed in their scholarly writings, if I may use the latter term loosely. There are exceptions, of course; there are several scholars of a more conservative theological view who, while they are clear as to their faith, provude us with scholarship that is excellent and free from polemic; I might include here such luminaries as Richard Bauckham and the late Raymond Brown.

For mainstream scholars, the brash proclaiming of faith on the part of the “religious right” is often a part of the problem, and for two reasons.

First, the “religious right” so often attacks “liberals” that the latter feel defensive, and so they react defensively, pulling their faith (or lack thereof) inside their turtle-shells of self-protection. Every New Testament scholar is aware of the shameful and scurrilous attacks on, for instance, Reza Aslan, a scholar who wrote a fine book about Jesus, who was mercilessly trashed on “Faux Noise” (the Fox News channel) simply because he happens to be a Muslim, forgetting that Jesus is vastly important in the Muslim faith, with more about Jesus in the Qur’an than in the New Testament! One also recalls the vicious attacks on François Bovon and James D. Tabor simply because their scholarly views were “popularized” on television shows (such that the shows didn’t necessarily nuance things correctly, and may have dramatized things up a bit); to his credit, Tabor holds firm, though sadly Bovon backed down and “changed his mind”. There seems to be a certain hesitation in the work of scholars such as Karen L. King, for instance in her discursus about the “Gospel of Jesus’s Wife” she keeps her conclusions extremely small and (to be blunt) shy; without at all impugning her research or her writing, I sense a nervousness on her part, a fear of being attacked by the “religious right” for daring to write about an ancient text that says Jesus was married – in view of the fact that the “religious right” is monolithic in its dogmatic insistence that he was not only unmarried, not only a virgin, but entirely devoid of the least shred of natural human sexual desire. King may hesitate to elicit the kind of screaming denunciations in the popular media to novels like The Da Vinci Code and pseudo-research like The Holy Blood and the Holy Grail, which has created such a negative climate that serious scholars usually make a wide detour around serious consideration of the possibility that Jesus was married, that he had children, that (despite the stunning work of scholar Edward Conze) he might have heard about Hinduism or Buddhism, and so on. Given this situation, one can understand if mainstream scholars, those outside the pugnacious Christian right wing, are hesitant to share their personal views publicly.

Second, many mainstream scholars, including I myself, agree that there should be a one-way street between a scholar’s personal faith (or lack thereof) and her or his scholarship. Good scholarship can and should deepen and strengthen one’s faith; good scholarship is only a “threat” to faith that is weak to begin with. On the other hand, faith should never influence good scholarship.

When faith influences scholarship, the latter suffers.

When scholarship influences faith, the latter flourishes (or should).


An example is the one faced by Karen King: the notion that Jesus might have been married. The nearly universal position among scholars, even mainstream scholars, is that the burden of proof lies on those who assert Jesus was a husband, and not on those who assert he never married. King herself, for instance, has noted that no canonical New Testament text says Jesus was married, and thus we should start with the default position that he was not.

I say that this is an example of how mainstream scholars have been so cowed by the religious right that they have lost track of their own strength: the objectivity of facts and logic. In Jesus’s time among his people, it was nearly universal for a young adult male like him, especially a rabbi, to be married; those who were not married usually spent a great deal of time defending their bachelorhood: Jeremiah the prophet and Paul, for example. Therefore, I say the opposite of Karen King: I say that the canonical New Testament does not say Jesus was un-married (as it does Paul), and thus we should start with the default position assumption that he was married, and that the burden of proof rests on those who assert Jesus was a bachelor, and not on those who assert he was married (though this is not to say the latter do not need to support the view that he was married with facts and logic). Further, if we read with care several scenes in the canonical gospels, especially those of the anointing of Jesus’s feet and his resurrection, we may realize that in fact the New Testament does tell us rather clearly his marital status. It is clear to me where objective facts and logic lead. Shrill polemic only suffocates objective facts and logic — which, indeed, is all too often its point, for instance on the Faux Noise channel.

I, for one, don’t hesitate to take on those subjects that invite attacks by the “religious right” — e.g., Jesus possibly being married and having children — if, and only if, the scholarship, the facts themselves, uncolored by faith or polemic or creed, lead me to a consideration of such matters. I often am attacked by “religious right” folks — and not a single one of them has evidenced that they have read even the first page of my scholarly work, and yet they have no hesitation to tell me I am going to Hell, judging where Jesus said not to judge, hating where Jesus said to love, and condemning where Jesus said to forgive and embrace. When I am faced with such attitudes, the conversation is as far as I am concerned at an end; there is no point discussing facts with those who have blinded themselves to them. I remain always eager to discuss facts with anybody, including those of a theologically conservative bent, as long as they remain open to an unbiased. logical consideration of them.

I don’t make any secret of my personal faith, since I’m not afraid of the “conservatives”, but with the same breath I always make it extremely clear that my faith has absolutely no influence on my scholarly work – which I undertake strictly in accordance with the facts. I never practice selectivity with the facts in order to promote some faith-stance. And, while I do not hesitate to state my personal spiritual views, I always point out that they have deepened as a result of my scholarly work, and that I hope my scholarly work — and the work of all scholars of quality, whatever their personal faith or lack thereof may be — will likewise deepen the faith of their readers, or encourage nonbelievers at least to take more seriously the rationality of believing.

I strongly urge other New Testament scholars to join me in this matter: not to cede the battleground to the “religious right”. We should insist on our right to speak out about our personal faith (or lack thereof), whenever we so choose, without fear of scurrilous attacks. We should insist on the use of unbiased logic and unweighted facts. We should demand that scholarship be judged for its own sake, and not on the basis of irrelevancies such as the scholar’s views on matters of faith. We should be proud of our work, and not ashamed.

New Two-Volume Edition of THE GOSPEL OF JOHN!

My publisher has finally released the complete edition of The Gospel of John, in two volumes, and well more than 1,000 pages! This is twice the length of the first edition!

GOJ-front 2vol IbFor those who haven’t heard, this is a restoration of the original version of the gospel, as written by two eyewitnesses of Jesus himself, Lazarus “the Beloved Disciple”, and the gifted scholar-author John the Presbyter. In subsequent decades, early religious leaders changed and changed again the text to make it conform to whatever their personal beliefs were about Jesus. And a couple pages of the original got lost, and other pages transposed. In short, the gospel we have today is a beautiful, inspiring mess, but a mess nonetheless. This work seeks to re-establish not the original manuscript, which GOJ-front 2vol IIwas never finished, but what John the Presbyter had hoped to publish.

It includes a book-within-the-book that tells the adventures, yes, adventures of the gospel manuscript – how the author, John the Presbyter, was turned in to the Roman authorities (probably by Saint Paul!) and sentenced to Patmos, and his nearly finished manuscript was spirited off for safekeeping in distant Sinope, on the Black Sea. But there a new governor, the famous Pliny the Younger, was bent on killing all Christians, and once again the manuscript was at risk. It was taken by a young fool named Marcion to Papias of Hierapolis, who had been a student of the now-deceased Presbyter. He and Polycarp of Smyrna finally completed and published the gospel, 35 years after the Presbyter’s exile.

GOJ-two vol back vol i luluThe translation also completely reworks chapters 4 and 20, basing the restoration more on the extremely early Aramaic recensions of the text – remember, Jesus and his people spoke Aramaic. The new renderings bring out far more clearly the nature of Jesus’s relationship with Mary Magdalene.

If you go to there are links for getting Volumes I and II in hardcover, softcover, or Kindle format.

Author-Signed Books; Native American Shawls!

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My wife Andrea and I will be in the United States from mid-January to mid-April. If you live in the States, this is your chance to get signed-to-order copies of my books and/or Andrea’s made-to-order traditional Panamanian shawls at a discount, because you avoid the international shipping and duty from the country of Panama!

Books and shawls make wonderful gifts for Chanukkah or Christmas. Your literate friends and family can warm up during a cold night with a shawl made on a hand-loom in the ancient style of the Ngäbe Buglé nation of Panama, and enjoying a good book!

Choose what books you want by using the drop-down menu in the black bar just under the photo at the top of this page to navigate to novels, nonfiction, and so on. Follow the links with each book to order the version you want (hardcover, paperback, etc.). Have the book shipped to this address –> 202 Wilmont Road / Syracuse, N.Y. 13219 <-- and also submit $12 per book to cover the cost of going to the post office and reshipping it back to you. Be sure to include your United States mailing address with the Paypal payment. The Paypal account is accessed by putting in this e-mail address: distant_e@yahoo.com - no e-mail to that address, please; this is just to deposit to the correct Paypal account. Or, for easy one-step signed books, remit through Paypal the cover price of the books you want plus $20 for the first book ($8 for subsequent books) to cover shipping to me so I can sign them and then shipping to you. Be sure to specify titles of books, which edition (hardcover if available or softcover), and provide a United States mailing address. DSCN4326

Our visit to the United States is also an opportunity to order one of my wife’s handmade shawls. There will be a limited quantity of these, as each one takes a few days to weave, so NO ORDERS WILL BE TAKEN once the maximum has been reached. If in doubt, send an inquiry through editor@audlinbooks.com

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You may specify what colors and style (see the photos) you would like for your shawl(s). Or, if you want to be very sure, you can always mail large skeins of the colors you want to the above address.

Each handmade shawl costs $80, which includes shipping to a United States address. Remit through the above Paypal account.

John’s Gospel as the Eyewitness Event Itself

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What follows is a addition to The Gospel of John, my restoration of that original text, free from the later interpolations and excisions of the organized Christian religion, and translated afresh from the Greek. Ordering information here, but coming soon is the new two-volume edition!

In the preface to his five-volume opus, Papias (an early second-century Christian bishop and writer) explains his own approach to establishing the truth about Jesus in the following passage. Without doubt he was describing the historiographical method that his master John the Presbyter taught him, which means it is also the method John adopted in writing the gospel.

εἰ δέ που καὶ παρηκολουθηκώς τις τοῖς πρεσβυτέροις ἔλθοι, τοὺς τῶν πρεσβυτέρων ἀνέκρινον λόγους, τί Ἀνδρέας ἢ τί Πέτρος εἴπεν ἢ τί Φίλιππος ἢ τί Θωμᾶς ἢ Ἰάκωβος ἢ τί Ἰωάννης ἢ Ματθαῖος ἢ τις ἕτερος τῶν τοῦ κυρίου μαθητῶν ἅ τε Ἀριστίων καὶ ὁ πρεσβύτερος Ἰωάννης, τοῦ κυρίου μαθηταί, λέγουσιν. οὐ γὰρ τὰ ἐκ τῶν βιβλίων τοσοῦτόν με ὠφελεῖν ὑπελάμβανον ὅσον τὰ παρὰ ζώσης φωνῆς καὶ μενούσης.

And so whenever anyone who had followed the presbyters came along, I would ask carefully for the words of the presbyters, what Andrew or Peter had said, or what Philip, or what Thomas or James, or what John or Matthew, or any other of the disciples of the Lord, and which Aristion and John the Presbyter, disciples of the Lord say too. For I did not assume that whatever comes from books is as helpful to me as what comes from a living and persevering voice.

This quotation is not (as some have written) dismissing the value of books; certainly not when Papias wrote these words in a massive written work of his own. He is rather saying that when an actual eyewitness is still alive, still persevering in stating aloud in words his vivid memories, he deserves to be heeded more than a book, no matter how helpful the latter. It is saying that even the best books are of less value because they are indirect, coming between the student and the eyewitness descriptions, and that the eyewitness descriptions are superior because they are only one step away from the actual events themselves.

Modern historiography, while it pays lip service to primary sources, relies mainly on previously written works, as any survey of published material will amply demonstrate. And modern historiography, when it does turn to primary sources, insists that the best eyewitness is dispassionate, perceiving facts without their being distorted by the least shred of emotional attachment, free from subjective interpretation – in this case, spiritual understanding.

The classical historian, on the other hand, would aver that to lack emotional attachment to the event, that is, to not care about what one is observing, reduces one’s effectiveness as a witness. The best witness, that historian would say, is one who is invested in the event, and thus has senses well attuned and memory carefully storing the event away. The best witness is one who not just cares enough about the event to remember it well, but cares about it enough to recount it again and again to various audiences, who therefore has had good practice at the craft of putting memory into words, which strengthens the recall and prevents the memory from fading away.

As it is put in The Circle of Life:

Traditional peoples see time and place in terms of story. Everything around us is alive, and has its story. To exist, to live, is to create story: when we fall in love, when we have a child, and so on, we’re beginning a story, and the only way we can learn how the story is going to come out is by creating the story. The past, to the traditional way of thinking, is the stories that have been told and can still be told; the future is the stories that have not yet been told. Thus, this present moment is ceremony in progress, stories in the making. This moment now, with you holding this book in your hands as you read it, is your story-in-the-making. Some day to come you will remember reading this book. You won’t have this book in your hands, but you will remember reading something in it that really struck you, and what it made you think about, and what you did that you wouldn’t have done otherwise. This remembering will be for you a story, part of the greater story of your life. Death, in this view, is an ending not of life, but of a story – and other stories will always follow.

This issue was no doubt important to Papias because, as the Gospel of John demonstrates, it was crucial to his mentor John the Presbyter. The book, the gospel, that John wrote seeks to be something unique: to be not just a book of history like other books of history, even the best of them. It seeks to be more than merely an indirect witness to Jesus, a mere record of oral recollections like other written histories. Rather, it seeks to be itself a direct observer and describer of the events, telling the reader the story about them just the way a witness does – more than that, it seeks to be the event itself, such that we are not mere readers of a text that quotes witnesses about the event of Jesus, but that we are direct witnesses to the event itself. I said above that for classical historians the best witness is “invested in the event, and thus has senses well attuned and memory carefully storing the event away, … and cares about it enough to recount it again and again to various audiences”, which describes this gospel very well. For Jesus promises, in the gospel itself, that a new kind of eyewitness will come to the faithful; he speaks of it as the Paraclete (Παρακλητος), “the Spirit/Wind/Breath of truth … that will bear witness concerning me” (15:26), adding, “Whatever it hears it will speak … [it] will teach you all things and will remind you of all the things that I said to you” (14:26). That new kind of witness is the gospel itself. It is the eyewitness we attend to, so it is the event-itself that gives us Jesus.

In this modern age of malls and superhighways drained of all real intrinsic meaning, meaning, or the mere appearance of meaning, is a commodity that is bought and sold like any other: information technology, as it is called. The “ruler of this cosmos”, as Jesus calls him in this gospel, or Big Brother, as George Orwell called him, tells us to trust him and go home now, and he will explain everything to us later. We are in this modern age to believe what we are told to believe. Scholars in this modern age argue about what this gospel means. Most people just allow their religious organization to tell them what the meaning of this and other scriptures is, rather than discovering it for themselves through intelligent reading. The organized religious establishments took over the role of assigning meaning to events. And the scholars, just as bad, squeeze the scriptures for meaning and throw away the works themselves like an empty orange skin. Yet in fact Marshall McLuhan was right: don’t look for hidden meanings in the gospel; the medium, this gospel, is the message, and the message is the gospel itself.

For classical people, the event, the experience, and the meaning were all inextricably mixed. For the classical mind the truth as to the meaning of any event (historical or happening in front of one) was in the event itself, not in descriptions of the event – the descriptions contain truth to the degree that they conform their words to the truth in the event itself. That is the main criterion by which classical books of history were judged in classical times as to their quality, and it should remain such.

Moderns deem the meaning of an event or a teaching more important than the event or teaching itself. They suggest that there is something defective about a powerful symbolic work like the Gospel of John, and that therefore it needs the official explainers to explain it. They suggest that there is something defective about you and me, in that we are not able to appreciate the gospel fully unless we listen to the official explainers. This has the effect not only of devaluing the work itself and the readers themselves, but it creates a relativism of meaning: the meaning is whatever those powerful enough to take control of the social institutions of education, communication, media, and often government say is its meaning.

Symbols are not like highway signs. A red hexagon tells us to stop the car because we are trained by our culture so to do; someone from another culture will not know to stop. But a symbol, an archetype, is immediately a powerful spiritual dynamo for any human being of any culture in any epoch. It needs no explaining, and in fact explaining does it a disservice, suggesting that the symbol is of lesser importance, and that rather the big-mouthed bonehead who wants us to know how smart he is that he can explain a symbol is the real point. As Jung taught, symbols, archetypes, are hard-wired into our psyches as a species; they are ultimately a primal root part of the World Soul, the collective unconscious. Symbols are like bodies that express the ineffable archetypes; the archetypes are the souls inside the symbols that make the symbols come alive. So in my view symbols do not point at something beyond themselves: they simply are, and we can only gape at their inexpressible forever astonishing wonder. They are numinous. Like the famous “Flower Sermon” of Gautama Buddha, John the Presbyter was wise not to put a lot of explanations into this gospel. He simply gives us the symbols, points toward the allusions in the classics and the Tanakh, and leaves us to contemplate this glorious beauty that means what it is.

Most Jews and most Hellenes weaned on Plato would have agreed with John the Presbyter that the ultimate source of all truth is God, not the official explainers. If there is truth in someone’s words or deeds, in any situation, it is because these things are said or done in accordance with the will of God: they are, in the Presbyter’s terms, in accordance with the Λογος. Hence, if the Gospel of John was written by God’s will, then to the degree John the Presbyter wrote it as God wishes, it carries the truth of the words and events recorded. If it is more than an historic record, if it is in Kant’s term a Ding an sich, if it is in Lao-tse’s term 自然 (ziran; “self-so”), if it is in Borges’s term an aleph, then it is God’s own deed, and the Presbyter is but the instrument. And, if that is the case, then the gospel does not just embody the truth, but it is the truth, because the presence of God is in it.

Thus, the Gospel of John, as the Paraclete, by its established nature as the event itself, does not therefore reflect the truth of the event in its words as the moon reflects the sun, as we humans (should) reflect the image of Elohim, but rather it has the truth within its own very nature. And therefore it is for us, as not readers but eyewitnesses to this gospel-event and its inherent truth, to believe. Thus Jesus says the truth will set us free if we know it (8:32), that God’s word is truth (17:17), that he bears witness to the truth such that those who hear his voice have truth in them (18:37), and of course says to Thomas and us

“You believe because you have seen me.
Blessed are those who have not seen and yet believe!”

For example, the resurrection appearances of Jesus were for the disciples new experiences that at first they could not understand. They were receiving sensory data that did not make sense to them, and had to be explained to them. They probably discussed and even argued with each other as to the meaning of these appearances. They may have realized that their guesses at the meaning might be wrong or incomplete. But they would never once have thought it was for them to establish the meaning, that the meaning was theirs to decide, but rather that the meaning was in the event itself and was something that they must discern in the event. Thus, as an event in its own right, the gospel does not like other works of classical history seek to reproduce faithfully the meaning in the event; it is the event, and so it carries its own intrinsic meaning. The meaning it gives to the resurrection is that this is no ordinary man but Messiah, and no ordinary event but a kairos, a tirtha, a moment-place where the veil between the worlds has grown thin and one can glimpse the eternal, the Æon.

This gospel is to be accepted, then, not an ordinary history based on the accounts of witnesses but a witness itself; more than that, it is to be taken as the direct experience of Jesus: by reading it we are there with Jesus. Therefore, we are not mere readers, removed from the event by the intervening media of witness and book; rather, we are witnesses ourselves to the gospel-as-event/teaching, we are put squarely in front of the truth itself, the event-presence itself, and thus we are anointed as disciples and presbyters and apostles and elders ourselves. Jesus in effect addresses us, the readers of the gospel, when in the gospel’s very last words he says: “Blessed are those who have not seen and yet believe!” We, the readers of the gospel, have not seen the events and teachings in the gospel, but by reading we know them, and are called to believe. And the Envoi to the gospel, which follows immediately, drives home this same point:

πολλα δε και αλλα σημεια α εποιησεν ο ιησους ενωπιον των μαθητων αυτου α ουκ εστιν γεγραμμενα εν τω βιβλιω τουτω ατινα εαν γραφηται καθ εν ουδ αυτον οιμαι τον κοσμον χωρησαι τα γραφομενα βιβλια ταυτα δε γεγραπται ινα πιστευσητε οτι ιησους εστιν ο χριστος ο υιος του θεου και ινα πιστευοντες ζωην *αιωνιον* εχητε εν τω ονοματι αυτου

Indeed there are also many other signs Jesus has been doing in the presence of his disciples that are not written in this book, which, if each one of them were written, I think not even the cosmos itself could contain all the books (that would have to be) written. These, however, have been written so you might believe that Jesus is the Anointed One, the son of God, and that, by believing, you might have Æonian life in his name.

The Jewish view in John’s day was that truth flowed from the Torah and from the Temple – whichever Temple, and hence the conflicting “truths” espoused by the priesthoods in Jerusalem, Samaria, and Leontopolis in Egypt; Mary and Jesus allude to this conflict in 4:20-21. But the gospel seeks to present God as the only source of truth and valid meaning; God has sent Jesus as emissary to express this truth, and the gospel is presenting itself as the Paraclete, continuing to express God’s truth, the only real truth.

In saying we are blessed who have not seen and yet believe, in saying the gospel was written “so you might believe”, the gospel is saying that those who believe are good witnesses to the experience of Jesus. As the Paracete the gospel presents itself, as I have often said, not as a history book, but as in itself the experience-of-Jesus, which makes us not mere readers of a book but witnesses to an event. Some people over the millennia have read the gospel and remain readers, remain agnostic, because for them this book remains a book; no harm in this. Yet some organizations, while they pay lip service to calling this book scripture, treat it as a book that they will interpret for their adherents, despite the fact that the meaning of the event is in the event, not enforced upon it by a social institution, in this case the meaning is in the book, not the institution, and to separate meaning from event, like separating the spirit from the body, kills both.

But for those who read and believe, the book becomes not just a witness to Jesus, but moreover an event, the experience-of-Jesus. As I have also previously noted, classical historians preferred to base their writings on witnesses who were emotionally involved, because that quality better engraved their memories of what they observed than the “dispassionate observer” preferred today; also, they had experience in telling the story of what they witnessed, and so their wording would be useful to the historian. Like a dream quickly written down at dawn or immediately told to someone, verbalizing an experience helps to firm up and fix the details in the memory with exactitude.

Perhaps thousands of people heard and saw Jesus – but only a relatively very few were so moved that they didn’t just “hear and see” but listened and observed. The difference is in this very factor of becoming involved in, committed to, the event, such that one absorbs it: the individual becomes a part of the event and it becomes a part of the individual. Therefore, for the gospel to discuss belief as a result of reading this gospel is to say it is possible for some readers to become more than readers: to become believers, that is, emotionally involved, committed witnesses to the experience-of-Jesus as mediated by the gospel (20:29,31).

Classical and modern historians both understand that the truth known to human beings is subjective: the only truth we have is the knowable truth, the truth from our finite perspective. And of course in ancient times like now, people would “spin” their telling to make the truth appear in ways that furthered their desires. Thus the wise historian, then and now, presents various perspectives as if in a courtroom, and evaluates the evidence supporting each in order to arrive at the truth in the event itself. Thus in the Gospel of John we find occasional courtroom terminology; even the original title, The Paraclete, is a courtroom term. Thus too we find the gospel focused on the nature of truth: Pilate asks what it is, and Jesus says I AM is the truth that, if we know it, frees us.

Pontius (“What is truth?”) Pilate had no more access to objective truth than any other human being; thus he like most others sought only the truth that would serve him, he like most others sought to be the master of the truth, but Jesus said to him, in effect, “You would have no truth at all, unless it comes to you from above.” John the Presbyter would agree with George Berkeley that, while our human truths are subjective, that we have at best an asymptotic relationship with the truth, God is a priori the one entity for whom truth is objective, whole, and perfect. We human beings cannot bridge the asymptotic gap to perfect truth – the closer we get the harder it is to get closer, like approaching absolute zero or the speed of light. But in the Messiah of Jesus, and therefore in the gospel that embodies his teaching, the truth has come to us, God has come to us – for, where we cannot bridge the asymptotic gap, God can. This is a major point in the Prologue to the gospel, and this coming of God into the human experience is the very essence of kairos, the Greek concept of sacred time, the “eternal now” moment when all ordinary life hushes in the presence of the inexplicable.

The final two words in the quotation from the Muratorian Canon, saying that John wrote “all the wonderful things of the Lord in order” (italics added), are significant here. For a central factor in classical historiography, besides primary reliance on committed eyewitnesses, was the arrangement of the raw observational reports of the eyewitnesses interviewed into a seamless historical narrative: that is, imparting an architecture to that narrative, a pattern as pleasing to the mind as the structure of a cathedral is pleasing to the eye. In Hegelian terms, this is the dialectical relationship between content and form, between truth and beauty, in Greek terms, between χρειαι (units of oral recollection) and συνταξις (organization into a large-scale work): while the eyewitness and historian could be the same person, properly speaking the former was the provider of content, of truth, and the latter the provider of form, of beauty. A classical historical work of fine quality had both blended into a unity; indeed, in classical works of history – indeed, in all great classical literature – these two were the same thing: in the words of Keats, “Truth is beauty, beauty truth.” Put another way, the classical historian saw his task as a form of fine art, painting a truthful image of the past with the raw materials of testimony and records. The structure of the gospel, which is detailed in the Commentaries, is clearly modeled on that of a Greek play, in four major sections (called Acts in my translation), with at least the beginnings of a seven signs and seven seals substructure. It is also filled with inclusio (details or themes or phrases in the early chapters that return in the final chapters), as well as with abundant references to Greek poets such as Sappho and Homer, the philosopher Plato, and the playwright Euripides.

John the Presbyter’s work included more than putting the reminiscences into chronological order and inserting later marginal additions where they seemed best to go into the narrative flow. It included more than refining the literary language was and adding artful references to Hellenistic philosophy and literature, and composing the Prologue. It included more than arranging an artful A-B-A symmetry or inclusio format.

The Presbyter also was determined a: to attest to the truth of this gospel and its hard-to-believe contents, b: to effectively quash the inevitable allegations by cynics (Celsus being the first in a line of them to the present day) that the whole thing about Jesus was made up or a matter of delusion, and c: to prevent ideological tampering with the text. He did this as did the great prophets (e.g., Isaiah 8:2,16; cf. the concern expressed in Jeremiah 8:8), by writing into the text statements that in modern terms are written legal depositions or affidavits, solemnly certififying that the text tells the truth. Therefore, the structure includes a “seven seals” arrangement that was at least partly fleshed out.

Thus we find factual certifications at 1:14, 3:33-34, 19:24, 19:35, 20:30-31, plus two more by John the Immerser at 1:32 and 34. These seven certifications are mentioned in Revelation 5:1-9; they are “seven seals” that seal the codex which is clearly this gospel; the imagery is borrowed from Ezekiel 2:9-3:3. (Note: I do not include a separate certification at the end of chapter 21, since the latter was not originally part of the gospel, nor the approximately seven times that Jesus serves as his own witness, at 3:11, 7:7, 8:18, 5:39, 5:43, 5:46, 18:37, since these are certifications about Jesus, not of Jesus.)

There is also a partly fleshed-out structure of “seven signs” (in modern parlance, miracles) done by Jesus, equivalent to the seven trumpets in Revelation 8-9, trumpeting Jesus’s identity as Messiah. These seven signs are themselves certifications as well: in the Jewish faith then and now a putative Messiah is expected to perform certain signs (אוֺתוֺת; otot; the singular is אוֹת; oth, rhyming with “oat”) to certify themselves as meriting that recognition. However here John evidently ran into a problem which may have delayed completion of the gospel (permanently, as it turned out): the chiastic structure of the seven signs should have had the healings of the paralytic and blind man mirror each other as the third and fifth sign, with the loaves-and-fishes taking the center spot – however, that would only be possible in the text if it were to ignore the chronological fact that the loaves-and-fishes sign preceded that of the paralytic man. The amanuensis could easily have “solved” this problem by just changing the order – but the man who had criticized John Mark for putting events out of their actual temporal order, now had to choose between doing just that or accepting a flaw in the chiasm.

Why all these artistic devices, especially the inclusio and the references to classical literature, in an account that stresses its eyewitness nature? Artifice to our contemporary thinking suggests hyperbole, exaggeration, even outright deception and fallacy. How can these accounts be truthful, we moderns may well ask, when they are so beautifully contrived? The answer is found in such classical philosophers as Plato and Aristotle whom the gospel writer clearly admired and studied. To the classical person, if not the modern, Keats was correct in saying, “Truth is beauty, beauty truth.” All of the great works, in all genres of artistry, are beautiful and true, even when they are ugly and raw. Guernica, Inferno, Hamlet, Rashomon, Don Quixote, Le Sacre du Printemps; these works are jarring and difficult to appreciate – but, for me, that is their beauty. This gospel has its brutal scenes, most especially the passion and crucifixion of Jesus, as well as some that are exquisitely lovely – and note that it is during the crucifixion that the prose gives way to several lines of the most pure, passionate, poignant poetry. Yet without doubt the composition of the gospel was intended, or inspired, to make this another one of these truthful, beautiful works, beautiful even as Jesus struggles on the cross through the last tortured gasps of life. So, for the first century reader, this careful arrangement of the raw materials to create the inclusio effect and bring out the allusions to classical literature is not as we might think today – after too much exposure to the bathetic blandishments of mendacious politicians and hypocritical clergy – to deceive us, but, quite the opposite, to make the gospel more trustworthy and true.

John the Presbyter clearly states the intention that this gospel be the event itself, that it be the presence of Jesus, in 15:26-27. “The Paraclete,” he quotes Jesus as saying, “will bear witness concerning me, and you too (will) bear witness because you have been with me from the first.” The last two words, απ αρχης, form a double entendre: to his actual disciples he means the phrase in its common sense, that they have been with him since this whole series of events began; but to those who are reading this the Paraclete, he means that they, we, have been with him from the first (απ αρχης) word of the gospel, which is, though conjugated differently, this very word, εν αρχη. In other words, we are not just reading about, but experiencing, observing, and witnessing Jesus as he teaches and performs signs. Thus 15:27, like 20:29, can be understood as Jesus speaking directly to the reader of the gospel.

These two verses, therefore, provide future generations with two witnesses: the gospel and its readers. Since under Jewish law the consistent testimony given by two witnesses of probity is to be accepted as truth, the combination of this gospel Paraclete and its readers – readers who become involved, committed witnesses, which in this case is a demonstration of their probity – is to be accepted as the truth. Once again we see how this gospel is laid on a strong legal foundation.

Following these two verses in this reconstruction of the original gospel is verse 13:20, in which the Presbyter further drives home his point through Jesus’s words: “Anyone who receives what I will send receives me,” which is to say again that this Paraclete-gospel is Jesus’s continuing presence, and if we become involved, committed witnesses by receiving it, we thereby receive Jesus; and then he adds, “who receives me receives the One who sent me”, which is to say if we accept and live by Jesus’s teachings we are living in accordance with the Λογος, and hence we become part of the Æon, and are one not only with each other but also one with God (17:26,22,21,23).

This understanding of the gospel as not merely witness but the event itself would have been immediately comprehensible to first-century Jews, and would be to most Jews today were it not for the mental barriers erected between religions that often blind us to their shared elements.

Jesus gives this teaching about the Paraclete, hence about this gospel, mere hours before the beginning of the Passover. Exodus teaches us in the generations following the Exodus to observe the Passover with the understanding that we were there too, for if our spiritual ancestors had not miraculously escaped bondage in Egypt, we their descendants would not be free today. Notice how the following verses do not say “our ancestors”, but “me” or “us”. Exodus 13:8 says, והגדת לבנך ביום ההוא לאמר בעבור זה עשה יהוה לי בצאתי ממצרים (“And you shall avow to your son on that day, saying, ‘This is done because of that which YHWH did to me when I came out of Egypt’”), and verse 14 says, והיה כי־ישאלך בנך מחר לאמר מה־זאת ואמרת אליו בחזק יד הוציאנו יהוה ממצרים מבית עבדים (“And it will be, when in future times your son asks you ‘What is this?’, that you will say to him, ‘With a mighty hand YHWH brought us out of Egypt, from the house of bondage’”). For this reason, the Haggadah, the story of the Exodus, is told to this day at the Passover Seder as not our ancestors’ story, but our story, that we were there too.

Surgeon God Unites Jesus and Mary in Own Image

GJohn-Mockup1

What follows is a addition to The Gospel of John, my restoration of that original text, free from the later interpolations and excisions of the organized Christian religion, and translated afresh from the Greek. Ordering information here, but coming soon is the new two-volume edition!

Commentary on John 19:34 – The word πλευρας, from which comes the modern term “pleurisy”, is usually translated “side”. It comes from a root referring to the ribs (hence this translation has “ribs”), so this was a stab to or near the heart. …

In Genesis 2:21 God takes a צְלָעֹת from Adam, separating the first human, Adam, who was hermaphroditic, into male and female. This word, tselah, can be translated “rib” or “side”, and so is similar in meaning to πλευρας, the word in 19:34. Note that it is a feminine word in Hebrew, which is part of why the Talmud associates Adam’s side, and hence Eve, with the Tabernacle of God. The early rabbis point out that the same word צְלָעֹת appears in Exodus 26:20, in describing how the Tabernacle is to be constructed, and they also often draw a connection between having a family and the construction of the blessed Tabernacle. Thus, while no doubt this sword thrust actually happened (hence the attestation in 19:35), it was rich in spiritual meaning for the gospel author. Just as with Adam, a “deep sleep” (for ancient peoples there was no major distinction between “coma” and “death”) has now come upon Jesus. But where God was separating female from male in Genesis, God is here, in complementary oppositeness to Adam, through this soldier, beginning the process of reuniting male and female, Jesus and Mary.

Commentary on John 20:16-17 – This resurrection scene differs from the raising of Lazarus in one essential detail: the latter came out still bound in his grave clothes. The text here does not specifically say Jesus and Mary are naked, but it doesn’t need to, since this fact is clearly apparent and significant. We know Jesus is naked since his entombment linens are still in the tomb (20:5-7) – they would in any case be much too soiled with blood and bodily fluids to serve as makeshift garments – and he cannot have gone somewhere to pick up a fresh suit. If he has gone anywhere before the encounter with Mary, it would only be nearby, to one of the abundant springs and streams in this garden, to wash himself clean, and this may be assumed because of the inclusio with the baptism at the beginning of the gospel. As for Mary, I believe that, once she was left alone by her friends (the women and the two disciples) she would have torn her clothes asunder in the traditional keriah ritual. In any case, the text here, by vividly evoking the naked couple in the garden of Eden and in the Song of Songs, clearly signals Mary’s nakedness to match Jesus’s. Her nakedness in terms of mourning is discussed above; now the nakedness of the couple in the context of resurrection and reuniting is to be discussed.

First to note, their nakedness represents birth and death; as in Job 1:21, “Naked I came from my mother’s womb, and naked I shall return there.” The “mother” here is the Earth herself, and Jesus returned into her, specifically the tomb, and now has come forth from her womb. This is a second birth for Jesus, just as he “preenacted” it with John (1:32-33) and discussed it with Nicodemus (3:3-7) and so this scene forms an inclusio with the beginning of the gospel. Moreover, in terms of Plato’s allegory, we are born owning none of the things of this world, which are just shadows cast by the more real world, the Æon, and at death we release all property, including the body. Clothing, and property in general, proclaims our social status and wealth; it divides us from others. Without clothes we are united in our common heritage, the image and likeness of God (Genesis 1:26). Adam was punished by having to wear clothing, having to toil for his daily bread, and by being returned to the earth at death (Genesis 3:17-21). And ever since Adam and Eve, mythopoetically speaking, humanity has had to wear clothes – because in being separated, male and female forever desire to be joined together again, and there is shame for humanity in that desire. Jesus accepted this Adam’s punishment, but came back up out of the earth again. Since Jesus and Mary are truly and fully united in this hierogamy, they do not need to wear clothes any longer. Thus Jesus’s and Mary’s nakedness here implies that in the Æon we are one, unencumbered by worldly things and their shadows.

Second, their nakedness in a garden brings to mind Adam and Eve naked in the garden of Eden. The primordial couple is not at first aware of being naked, nor are Mary and Jesus, which is why the gospel makes no mention of this fact. But where Adam and Eve’s guilt and shame over their sin of disobedience, for which God punishes them with mortality, is associated by Genesis with the primordial couple clothing their naked bodies; here, Jesus and Mary unclothing their bodies represents for them (and us if we follow them spiritually) a return to the human condition before the first pair ate of the fruit. Modern readers, reading Genesis through their own cultural lenses, often think that Adam and Eve clothed themselves out of a kind of sexually fueled embarrassment for being “naked in public”. But a careful reading of the text reveals that, no, they were afraid of God’s omnipotent wrath in the face of their vulnerability, especially following their disobedience of God, and so they sewed leaves together to disguise themselves as trees in this garden of trees. Thus the nakedness of Jesus and Mary is to say no person need feel any longer afraid of God, as needing to hide her- or himself from God or ignore God, that “all is forgiven”, as the classic prophets often emphasize, as long as the individual accepts the Λογος, the truth and wisdom of the plan of God. Spiritually speaking, true trust and true nakedness are the same thing, with no need to hide oneself, or to make of oneself something other than naturally human. In this sense, the nakedness is not just to bring Adam and Eve to mind; it is an eschatological nakedness: Jesus and Mary are the “Adam and Eve” of the people of the future who are completely integrated into the Λογος, who trust God completely, and do not put clothes on out of fear or misrepresentation of their true selves. (In the next chapter, Simon the Rock is fishing naked, but puts on his clothes before swimming ashore where Jesus is; he has not yet “understood the scripture” [20:9].)

In logion 36 of the Gospel of Thomas Jesus says, “Do not worry from dawn to dusk, or from dusk to dawn, about what you shall wear” (cf. Matthew 6:25-30). In the following logion the disciples ask Jesus, “When will you appear to us, and when will we see you?”, and he replies, “When you can take off your clothes without feeling ashamed, and you take your clothes and throw them beneath your feet like little children and trample them; then you will see the Son of the Living One, and you will not be afraid.” The (Greek) Gospel of the Egyptians has Jesus reply similarly, but adds a further thought: “When you have trampled on the garment of shame, and when the two become one, and the male with the female is neither male nor female.” This is an eschatology in which the two genders become one, in which they become again the image and likeness of their Creator, Elohim, in which male and female are one.

This eschatology is found also in the Gospel of Thomas, particularly in the last logion in the book (114), which, unfortunately, is widely misunderstood:

[The Coptic text cannot be reproduced on this website.]

Simon the Rock said this to them: “Let Mariam [Mary] go away from us, for women are not worthy of the [Æonian] life.”

Jesus said this: “Look, I will draw her into myself so I may make her male, so she may also be a living spirit resembling you males: for any woman who makes herself male will enter the Kingdom of Heaven.”

Viewing it with modern sensibilities, scholars often dismiss this logion as an example of first-century misogyny, saying Jesus couldn’t possibly have said the Æon, the Kingdom of Heaven, was an all-male bastion! But Jesus is actually referring to the Hebrew myth of the creation of male and female. In the first creation story God creates by separating complementary opposites: day from night, above from below, land from sea; finally, God takes the hermaphroditic human who was made male-and-female in the image and likeness of God (Genesis 1:26) and separates it into two humans, the primordial couple. The second creation story likewise has womankind, in the person of Eve, drawn forth from the side of the prototypical hermaphrodyte, Adam. Jesus thus is saying in the above logion that the female and the male, in order to enter into the Æon, the Kingdom of Heaven, must again become one. Mary, as is made clear in this resurrection scene, is reborn to a new life along with her husband Jesus: they experience in this scene a hierogamy, a spiritual marriage, which renders them truly one, hence truly reflecting the image and likeness of Elohim, and fully capable of entering into the Æon.

F. F. Bruce (Jesus and Christian Origins Outside the New Testament) is the only scholar who to my knowledge interprets this logion correctly; he nicely summarizes Jesus’s point thus: “Jesus’s promise that she will become a man, so as to gain admittance to the kingdom of heaven, envisages the reintegration of the original order, when Adam was created male and female (Genesis 1.27). Adam was ‘the man’ as much before the removal of Eve from his side as after (Genesis 2.18-25). Therefore, when the primal unity is restored and death is abolished, man will still be man (albeit more perfectly so), but woman will no longer be woman; she will be reabsorbed into man.” Jesus thus transforms and elevates Mary’s humble nakedness, the nakedness of a menial laborer and destitute widow, into the highest sacredness: here truly he and she are transfigured into δοξα, the splendor of highest glory.

This interpretation of logion 114 is supported by logion 22, in which Jesus says in part, “When you make the two one … when you make the male and the female a single one, such that the male is not male nor the female female … then you shall enter into [the Kingdom of Heaven].” Likewise he says in logion 75, “There are many standing at the door, but the united/whole/single ones (are) the ones who will go in to the bridal chamber.” In a conversation with his mother-in-law Salome in logion 61, Jesus makes the same point: “If one is whole, one will be filled with light; however, if one is divided (into separate male and female), one will be filled with darkness”.

We also find the exact same theology in the Gospel of Philip, for instance in logion 76:

[The Coptic text cannot be reproduced on this website.]

In the days (when) Eve was within Adam, death did not exist. (When) she was separated from him, death came into being. If again she goes into (him), and he takes her into himself, death shall not exist.

This interpretation of the Adam-and-Eve story was not new to John or Philip, and it was absolutely not Gnostic; it was a prominent feature in Judaism. The Talmud speaks of this uniting of male and female; I previously quoted this line: “Rabbi Eliezer said, ‘Any man who has no wife is no proper man; for it is written, “Male and female created He them and called their name Adam”’” (Yebamoth 63). Talmudic midrashim (commentaries) on Genesis 1:27 offer several examples. Rabbi Jeremiah ben Eleazar says that the first adam was created an androgynos. Gen. Rabbah 8:1, Ber. 61a, and Eruvin 18a all say that the first adam was in the image of Elohim, being both male and female, and thus “double-faced”, and that God later, in Rabbi Shmuel bar Nachman’s words, “split him apart”. Some rabbis even found a reference to this “double-faced” first human in Psalm 139:5. While the verse is usually translated “Behind me and before me you [God] have beset me, and laid your hand (on me)”, the first verb צוּר can mean not only “to beset” but “to create” or even “to fashion” as does an artisan, as it does in Jeremiah 1:5. With the verb taken this way, the rabbis read the psalmist as saying God fashioned him (“laid your hand [on me]”) with a face “behind me and before me”.

Even Paul seems quite aware of this uniting-of-the-sexes-in-the-image-and-likeness-of-God at Galatians 3:28, though he puts on it his usual spin, saying that all human differences are eliminated if we become one with God in the form of Jesus.

Above [the first paragraph above] I pointed out the similarities between the word for “side” or “rib” in Genesis 2:21, צְלָעֹת (tselah), and in John 19:34, πλευρας (pleuras), and suggested that Jesus in that moment died, just as God put a “deep sleep” on Adam, and that the soldier’s death-thrust was the beginning of God’s spiritual surgery, putting Eve back into Adam, Mary back into Jesus, female back into male, and restoring the original hermaphroditic human whose nature is in the image of Elohim, God understood as male and female as one. Again note that צְלָעֹת is a feminine word in Hebrew, and that the Talmud thus associates Adam’s side, and Eve, with the Tabernacle of God, pointing as well to Exodus 26:20, where the same word צְלָעֹת appears in the description of the construction of the Tabernacle; the Talmud also often draws a connection between having a family and the construction of the blessed Tabernacle.

Note also that the word for Tabernacle, מִשְׁכָּן (mishkan), literally means “dwelling place”, and that the Torah specifies a tent (אֹ֫הֶל; ohel) is put over it, and that the glory (כָּבוֺד; kabod) of God (e.g., Exodus 40:34-35), a presence of God that was in time understood as the feminine aspect of God, שכינה‎, the Shekhina. Note further that the when the Israelites reached the Promised Land the Tabernacle was kept according to Jews in Shiloh (Joshua 18:1), but the Samaritans make a stronger case that it was kept at Mount Gerizim: the several times in Deuteronomy 16 where it says “at the place that YHWH your God will choose to have his name reside there” the most likely original wording preserved in the Samaritan Torah says “at the place that was chosen at Mount Gerizim”, the mountain where the Samaritan Temple in Jesus’s day was located, and at the foot of which he met with his wife-to-be, the priestess Mary. The Jewish Torah changed these references; the editors couldn’t make the text say Jerusalem when that city was not yet in Israelite hands, so they referred indirectly with “the place that God will choose” the eventual location where Solomon placed the Tabernacle: the Temple in Jerusalem (I Kings 8:4), where it joined the Ark of the Covenant, placed by David in the Temple, which was interpreted as its “tent” (II Samuel 6:16 and I Chronicles 15:1) – this the earthly Jerusalem chosen for strictly political reasons, not spiritual.

With all this in mind we turn to Revelation 21:2-4, wherein we are told of “the holy city, the new Jerusalem, coming down out of heaven from God, having been prepared as a bride, having been adorned for her husband,” and a voice saying “the tent (σκηνη; skēnē) is with humanity”, and that “death will be no more”. The city is described in detail; surprisingly, we are told (21:23) that it has no Temple, nor that it has need of sunlight or moonlight, because “the glory of God lit it up, and its lamp is the Lamb.” Throughout the Revelation, the bride of the Lamb refers to Mary, Jesus’s bride, the priestess of Gerizim, the “woman clothed with the sun” (12:1) who bears his child. Thus, as in the Talmud, we find here in John the Presbyter’s last masterpiece that the city is Jesus’s bride, and that the tent, the Tabernacle, with humanity is filled with Mary’s presence too: the Shekhina. We are told that Heaven and Earth are one, and that the holy city is full of God and the Lamb: in short, Jesus’s and Mary’s oneness are found everywhere in the Æon as described in the Revelation, and their becoming one is why “death will be no more”.

And this theology of Jesus and Mary, the new primordial couple reunited in the image of Elohim, is the same theology which the Presbyter presents to us also in this resurrection scene. Jesus emerges from his “deep sleep” (Genesis 2:21) of death, naked in the primordial garden, and is presented by God with his bride, Mary, but now she is for him literally “bone of my bone, flesh of my flesh”, for they are completely one. The Tabernacle of God, we are being told, is not found in Jerusalem or at Gerizim or in any other such mundane location (John 4:21-24), but in our very being, when we overcome the separation into individuality and the fear or arrogation that this separation produces, and become one first with our spouses, but beyond that with all humanity (17:21, I John 4:7).

While it is no shock to find this image of the first human as hermaphroditic in the Talmud, it may be surprising that the same story appears, with even many of the same details, in Plato. The philosopher’s friend Aristophanes, the playwright, summarizes the following Greek myth in Symposium, one that is rich in similarities to the story in Genesis. This could have provided as much inspiration to John the Presbyter as did Genesis and the Talmud, since it is all but certain that he studied Plato in his youth with Philo of Alexandria.

Now [at first] the sexes were three, … because the sun, moon, and earth are three; and the man was originally the child of the sun, the woman of the earth, and the man-woman of the moon, which is made up of sun and earth, and they were all round and moved round and round because they resembled their parents. Terrible was their might and strength, and the thoughts of their hearts were great, and they made an attack upon the gods. …

[Zeus decided:] “I will cut them in two and then they will be diminished in strength and increased in numbers; this will have the advantage of making them more profitable to us.” … After the division the two parts of man, each desiring his other half, came together, and throwing their arms about one another, entwined in mutual embraces, longing to grow into one, they began to die from hunger and self-neglect, because they did not like to do anything apart; and when one of the halves died and the other survived, the survivor sought another mate, man or woman as we call them, – being the sections of entire men or women, – and clung to that. …

And such a nature is prone to love and ready to return love, always embracing that which is akin to him. And when one of them meets with his other half, the actual half of himself, whether he be a lover of youth or a lover of another sort, the pair are lost in an amazement of love and friendship and intimacy, and one will not be out of the other’s sight, as I may say, even for a moment: these are the people who pass their whole lives together, and yet they could not explain what they desire of one another. For the intense yearning which each of them has towards the other does not appear to be the desire of lover’s intercourse, but of something else which the soul of either evidently desires and cannot tell, and of which she has only a dark and doubtful presentiment. … And the reason is that human nature was originally one and we were a whole, and the desire and pursuit of the whole is called love.

There was a time, I say, when we were one, but now because of the wickedness of mankind God has dispersed us. … For if we are friends of God and at peace with him we shall find our own true loves, which rarely happens in this world at present. … Wherefore, if we would praise him who has given to us the benefit, we must praise the god Love, who is our greatest benefactor, both leading us in this life back to our own nature, and giving us high hopes for the future, for he promises that if we are pious, he will restore us to our original state, and heal us and make us happy and blessed.to our original state, and heal us and make us happy and blessed.

Third, while the sexual element is not prominent in the garden of Eden story, it certainly is in the Song of Songs, and very much so here as well. There had to be some sexual energy in their embrace (and no doubt a kiss, as the paraphrases of the Odyssey suggest; see below) in the next verse; Jerome’s Noli me tangere (“Do not touch me”) is emphatically repugnant as a translation. This is Jesus’s and Mary’s hierogamy, their spiritual (re)marriage, so it has to be erotic.

This sexual element is related to the previous point that their Edenic nakedness has spiritual meaning. In the act of coïtus the man and woman become physically one, and their conscious minds are set aside, allowing them a moment of sheer ecstasy, which is a harbinger of the joy of living in the Æon. (This wakan aspect to lovemaking is explored in detail in The Circle of Life.) Further, the act of coïtus can result in the creation of new life, in the form of a child. Thus, Elohim appears in Genesis as Creator, Father-Mother to all life, and the man and woman, when they are truly one (including physically, during coïtus), are in the image and likeness of Elohim also creating life. This points to the deep meanings of the “bridal chamber” theology found in several early gospels, certainly Thomas and especially Philip. Logion 86 in the latter, quoted on page 621, says that when male and female are mated together again in the bridal chamber they gain eternal life; death is overcome for them. It is beyond the scope of this work to speculate in detail on what physical manifestation, if anything, the “bridal chamber” references pointed to. Generally, the strand of spirituality leading from the early Gnostics (especially Marcus and Valentinius) to the Cathars eschewed the panoply of ritual, ceremony-as-sacrament, and preferred inner, spiritual transcendence. The depiction in Philip is of a bride and groom entering into the bridal chamber privately.

Joined as one, Jesus-and-Mary are no longer Blake’s “ratio”, scattered fragments of the whole, but the restored First Human, complete and perfect: they are the Platonic ίδεα, the image and likeness of Elohim. As such, this Human is not static, not yet (20:17) at the destination, the Æon, but still follows God’s Λογος.